Shakespeare's Metrical ArtUniversity of California Press, 2. 8. 1988 - 363 strán (strany) This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language. |
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Strana ix
... poems do not normally change their meter in every line but establish and confirm re- petitive rhythmical patterns , often we must read several lines of a poem before we can hear a pattern of stressed and unstressed syllables that in ...
... poems do not normally change their meter in every line but establish and confirm re- petitive rhythmical patterns , often we must read several lines of a poem before we can hear a pattern of stressed and unstressed syllables that in ...
Strana x
... poems and plays and with the way poets of this period , and Shakespeare in particular , structured their lines ( meter ) and connected them with each other ( stanza ) —a dry subject that might seem hardly worthy of interest , but it is ...
... poems and plays and with the way poets of this period , and Shakespeare in particular , structured their lines ( meter ) and connected them with each other ( stanza ) —a dry subject that might seem hardly worthy of interest , but it is ...
Strana xii
... poems of Chaucer , Wyatt , and Donne ( among others ) , and to what extent should they be , conceived of as oral ... poem raises profound problems of interpretive proce- dures , what about the text of a play ? Is it a script for actors ...
... poems of Chaucer , Wyatt , and Donne ( among others ) , and to what extent should they be , conceived of as oral ... poem raises profound problems of interpretive proce- dures , what about the text of a play ? Is it a script for actors ...
Strana xiii
... poems by Shakespeare , but have sometimes preferred the Folio ( or , rarely , a Quarto ) reading for specific passages . I have kept the original spelling for some poets , like Wyatt , Spenser , and Donne , where it some- times provides ...
... poems by Shakespeare , but have sometimes preferred the Folio ( or , rarely , a Quarto ) reading for specific passages . I have kept the original spelling for some poets , like Wyatt , Spenser , and Donne , where it some- times provides ...
Strana xiv
... poems for many years ; and to my wife , Jerry , whose patience during this and other critical enterprises has been of much longer date . Finally , I thank Studies in Philology and Shakespeare Quarterly for permission to reprint or adapt ...
... poems for many years ; and to my wife , Jerry , whose patience during this and other critical enterprises has been of much longer date . Finally , I thank Studies in Philology and Shakespeare Quarterly for permission to reprint or adapt ...
Obsah
1 | |
20 | |
Pattern and Variation | 38 |
4 Flexibility and Ease in Four Older Poets | 57 |
Shakespeares Sonnets | 75 |
6 The Verse of Shakespeares Theater | 91 |
7 Prose and Other Diversions | 108 |
8 Short and Shared Lines | 116 |
14 The Play of Phrase and Line | 207 |
15 Shakespeares Metrical Technique in Dramatic Passages | 229 |
16 What Else Shakespeares Meter Reveals | 249 |
17 Some Metrically Expressive Features in Donne and Milton | 264 |
Verse as Speech Theater Text Tradition Illusion | 281 |
Percentage Distribution of Prose in Shakespeares Plays | 291 |
Main Types of Deviant Lines in Shakespeares Plays | 292 |
Short and Shared Lines | 294 |
9 Long Lines | 143 |
More Than Meets the Ear | 149 |
11 Lines with Extra Syllables | 160 |
12 Lines with Omitted Syllables | 174 |
13 Trochees | 185 |
Notes | 297 |
Main Works Cited or Consulted | 325 |
Index | 339 |
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accentual actors anapests appear beat blank verse broken-backed line caesura Chapter characters Chaucer combinations Coriolanus couplets Cressida Donne Donne's dramatic verse effect elision Elizabethan enjambment epic caesura example expressive extra syllable feeling feet feminine endings foot Gascoigne half-line Hamlet headless hear Henry hexameter iambic line iambic pentameter iambic pentameter line iambs Julius Caesar King Lear language later plays later poets line-types line's Macbeth meter metrical pattern metrical variations metrists midline break minor words monosyllabic normal Othello passage pause phrasal playwrights poems poetic poetry prose punctuation pyrrhic readers regular rhetorical rhyme rhythm rhythmic Richard II scene seems segments sense sentence Shake Shakespeare shared lines short lines Sidney's sonnets sound speak speaker speare's speech speechlike Spenser spoken spondaic spondee stanza stressed position strong structure style syllables syntactical syntax theater thee thou tion trochaic trochee Troilus unstressed syllables usually verb verse lines voice vowels Wyatt