Shakespeare's Metrical ArtUniversity of California Press, 2. 8. 1988 - 363 strán (strany) This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language. |
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Výsledky 1 - 5 z 49.
Strana 3
... position , " and that acquires interest and emotional resonance by being different from syllables we can more readily identify as either stressed or unstressed . Because the syllables we speak usually fall into one or the other of the ...
... position , " and that acquires interest and emotional resonance by being different from syllables we can more readily identify as either stressed or unstressed . Because the syllables we speak usually fall into one or the other of the ...
Strana 8
... positions is substantially weakened or a syllable in a weak position notably strengthened , a listening reader will become aware that one of the major traditional variations in iambic meter is taking place . When in disgrace with ...
... positions is substantially weakened or a syllable in a weak position notably strengthened , a listening reader will become aware that one of the major traditional variations in iambic meter is taking place . When in disgrace with ...
Strana 11
... position , but it has fre- quently become so when , under the influence of structural linguists , it maintains that these two forces , the rhythm and the meter , remain quite separate and that what we enjoy is the abstract difference ...
... position , but it has fre- quently become so when , under the influence of structural linguists , it maintains that these two forces , the rhythm and the meter , remain quite separate and that what we enjoy is the abstract difference ...
Strana 18
... position as " the meter of Shakespeare and Milton . " Milton was not yet born , and Shakespeare , in Colette's phrase , had not yet become Shakespeare . For the writers of the Renaissance , the meter was at least fairly new , certainly ...
... position as " the meter of Shakespeare and Milton . " Milton was not yet born , and Shakespeare , in Colette's phrase , had not yet become Shakespeare . For the writers of the Renaissance , the meter was at least fairly new , certainly ...
Strana 21
... positions : It snewed in his hous of mete and drinke And of his port as meeke as is a mayde He was as fressh as is the month of May ( GP , 345 ) ( GP , 69 ) ( GP , 92 ) In many lines , consequently , the voice speeds over the unstressed ...
... positions : It snewed in his hous of mete and drinke And of his port as meeke as is a mayde He was as fressh as is the month of May ( GP , 345 ) ( GP , 69 ) ( GP , 92 ) In many lines , consequently , the voice speeds over the unstressed ...
Obsah
1 | |
20 | |
Pattern and Variation | 38 |
4 Flexibility and Ease in Four Older Poets | 57 |
Shakespeares Sonnets | 75 |
6 The Verse of Shakespeares Theater | 91 |
7 Prose and Other Diversions | 108 |
8 Short and Shared Lines | 116 |
14 The Play of Phrase and Line | 207 |
15 Shakespeares Metrical Technique in Dramatic Passages | 229 |
16 What Else Shakespeares Meter Reveals | 249 |
17 Some Metrically Expressive Features in Donne and Milton | 264 |
Verse as Speech Theater Text Tradition Illusion | 281 |
Percentage Distribution of Prose in Shakespeares Plays | 291 |
Main Types of Deviant Lines in Shakespeares Plays | 292 |
Short and Shared Lines | 294 |
9 Long Lines | 143 |
More Than Meets the Ear | 149 |
11 Lines with Extra Syllables | 160 |
12 Lines with Omitted Syllables | 174 |
13 Trochees | 185 |
Notes | 297 |
Main Works Cited or Consulted | 325 |
Index | 339 |
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accentual actors anapests appear beat blank verse broken-backed line caesura Chapter characters Chaucer combinations Coriolanus couplets Cressida Donne Donne's dramatic verse effect elision Elizabethan enjambment epic caesura example expressive extra syllable feeling feet feminine endings foot Gascoigne half-line Hamlet headless hear Henry hexameter iambic line iambic pentameter iambic pentameter line iambs Julius Caesar King Lear language later plays later poets line-types line's Macbeth meter metrical pattern metrical variations metrists midline break minor words monosyllabic normal Othello passage pause phrasal playwrights poems poetic poetry prose punctuation pyrrhic readers regular rhetorical rhyme rhythm rhythmic Richard II scene seems segments sense sentence Shake Shakespeare shared lines short lines Sidney's sonnets sound speak speaker speare's speech speechlike Spenser spoken spondaic spondee stanza stressed position strong structure style syllables syntactical syntax theater thee thou tion trochaic trochee Troilus unstressed syllables usually verb verse lines voice vowels Wyatt