Shakespeare's Metrical ArtUniversity of California Press, 2. 8. 1988 - 363 strán (strany) This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 64.
Strana x
... speak , an inten- sity we can still hear in their written texts and in stage performances , owes much of its special force to its having been expressed in verse . The verse form springs the feeling , enables it to leap from the speaking ...
... speak , an inten- sity we can still hear in their written texts and in stage performances , owes much of its special force to its having been expressed in verse . The verse form springs the feeling , enables it to leap from the speaking ...
Strana xiii
... speak the speech trippingly or , when appropriate , with due gravity , mislay the accents , omit words or change keys , and ignore the metrical clues to the meaning of the verse because they are unaware of the metrical principles on ...
... speak the speech trippingly or , when appropriate , with due gravity , mislay the accents , omit words or change keys , and ignore the metrical clues to the meaning of the verse because they are unaware of the metrical principles on ...
Strana 2
... speaking , and of hearing each other speak , in a succession of rhythmic units ; if the lines are metrical , if they make patterns out of series of lightly or strongly stressed syllables , they reflect the fact that when we speak we speak ...
... speaking , and of hearing each other speak , in a succession of rhythmic units ; if the lines are metrical , if they make patterns out of series of lightly or strongly stressed syllables , they reflect the fact that when we speak we speak ...
Strana 3
... speak usually fall into one or the other of the two main kinds , stressed or unstressed , we are likely not only to listen for the stressed syllables but to perceive them as coming at fairly regular intervals . As one group of scholars ...
... speak usually fall into one or the other of the two main kinds , stressed or unstressed , we are likely not only to listen for the stressed syllables but to perceive them as coming at fairly regular intervals . As one group of scholars ...
Strana 43
Dosiahli ste svoj limit zobrazení tejto knihy..
Dosiahli ste svoj limit zobrazení tejto knihy..
Obsah
1 | |
20 | |
Pattern and Variation | 38 |
4 Flexibility and Ease in Four Older Poets | 57 |
Shakespeares Sonnets | 75 |
6 The Verse of Shakespeares Theater | 91 |
7 Prose and Other Diversions | 108 |
8 Short and Shared Lines | 116 |
14 The Play of Phrase and Line | 207 |
15 Shakespeares Metrical Technique in Dramatic Passages | 229 |
16 What Else Shakespeares Meter Reveals | 249 |
17 Some Metrically Expressive Features in Donne and Milton | 264 |
Verse as Speech Theater Text Tradition Illusion | 281 |
Percentage Distribution of Prose in Shakespeares Plays | 291 |
Main Types of Deviant Lines in Shakespeares Plays | 292 |
Short and Shared Lines | 294 |
9 Long Lines | 143 |
More Than Meets the Ear | 149 |
11 Lines with Extra Syllables | 160 |
12 Lines with Omitted Syllables | 174 |
13 Trochees | 185 |
Notes | 297 |
Main Works Cited or Consulted | 325 |
Index | 339 |
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Časté výrazy a frázy
accentual actors anapests appear beat blank verse broken-backed line caesura Chapter characters Chaucer combinations Coriolanus couplets Cressida Donne Donne's dramatic verse effect elision Elizabethan enjambment epic caesura example expressive extra syllable feeling feet feminine endings foot Gascoigne half-line Hamlet headless hear Henry hexameter iambic line iambic pentameter iambic pentameter line iambs Julius Caesar King Lear language later plays later poets line-types line's Macbeth meter metrical pattern metrical variations metrists midline break minor words monosyllabic normal Othello passage pause phrasal playwrights poems poetic poetry prose punctuation pyrrhic readers regular rhetorical rhyme rhythm rhythmic Richard II scene seems segments sense sentence Shake Shakespeare shared lines short lines Sidney's sonnets sound speak speaker speare's speech speechlike Spenser spoken spondaic spondee stanza stressed position strong structure style syllables syntactical syntax theater thee thou tion trochaic trochee Troilus unstressed syllables usually verb verse lines voice vowels Wyatt