MELROSE ABBEY. INTERIOR FROM THE WEST, Engraved & Published by J.B Mould. 29 North Bridge Edinburgh, 1841.. to bottom, and each about eight inches broad; the upper part is interwoven with tracery, of a form peculiarly light, graceful, and beautiful. The finely sculptured and fretted roof still covers the east end of the chancel; in the south side of which there lies on the floor a slab of dark green marble, which is believed to cover the dust of King Alexander II. who was buried beside the high altar of this church in 1249. Near the same spot was also buried the heart of Robert Bruce, after the ineffectual attempt of his friend Sir James Douglas to convey it, as its owner had desired, to Jerusalem. The following beautiful lines on this subject are from the pen of Mrs Hemans. THE HEART OF BRUCE, IN MELROSE ABBEY, HEART, that didst press forward still, First where'er the brave were met, Fiery heart, and liest thou here ? Aught that so could beat and burn? Heart that loved'st the clarion's blast, Silent-save when breezes' moan Comes through weed and fretted stone: Sings, where once the mass was heard; No! brave heart, though cold and lone, Is the noble Douglas nigh; Till the Paynim quail before thee, Wins me from their splendours brief. The outside of the building is profusely embellished with that exquisite carving which characterises the minutest portions of this noble ruin. In the wall are numerous niches, with finely designed canopies, and, though most of them are empty, a few still contains statues. There are also, in excellent condition, eight windows on the south side of the long nave of the church. The mouldings of these seem nearly as sharp and beautiful as when they passed through the hands of the workman; indicating, in a striking manner, the excellence of the stone which has so effectually resisted, not only the rude treatment it has sustained from the hands of man, but also the slow, though more sure, devastations of time, for a period of nearly seven hundred years. Each of these windows is elegantly formed into the Gothic point, and has three mullions, terminating in a circle on the top, within which |