Strange Communion: Motherland and Masculinity in Tudor Plays, Pamphlets, and PoliticsUniversity of Delaware Press, 2003 - 236 strán (strany) Strange Communion concerns the development in Tudor culture of a tendency to identify the common good with the health of the motherland. Playwrights, polemicists, and politicians such as John Bale, Richard Morison, and William Shakespeare, among others, relied on maternal representations of England to evoke a sense of common purpose. Vanhoutte examines how such motherland tropes came to describe England, how they changed in response to specific political crises, and how they came, by the end of the sixteenth century, to shape literary ideals of masculinity. While Henrician propagandists appealed to Mother England in order to enforce dynastic privilege, their successors modified nationalist symbols as to qualify absolute monarchy. The accessions of two queens thus encouraged a convergence of nationalist and patriarchal ideologies: in late Tudor works, evocations of the national family tend to efface class distinctions while reinforcing gender distinctions. Dr. Jacqueline Vanhoutte is an assistant professor at the University of North Texas. |
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Strana 79
... desire for masculine as- sistance exposes her further to threat : even as Respublica articulates her desire , Avarice prepares to accost her . Res- publica cannot find beneficial masculine domination of the sort that King Johan and ...
... desire for masculine as- sistance exposes her further to threat : even as Respublica articulates her desire , Avarice prepares to accost her . Res- publica cannot find beneficial masculine domination of the sort that King Johan and ...
Strana 121
... desire of sovereignty " ( 1.2.257–58 ; 265–66 ) . Explicitly , Eubulus priori- tizes the claims of the native land over the desire of the monarch ; implicitly , he introduces to the play the idea that the absolute freedom of sovereignty ...
... desire of sovereignty " ( 1.2.257–58 ; 265–66 ) . Explicitly , Eubulus priori- tizes the claims of the native land over the desire of the monarch ; implicitly , he introduces to the play the idea that the absolute freedom of sovereignty ...
Strana 132
... desire and that Stubbs is in effect arguing for the paternalistic intervention of her subjects.98 The fact that Stubbs's title invokes the description of feminine desire in The First Blast substantiates Bell's argu- ment . Unlike the ...
... desire and that Stubbs is in effect arguing for the paternalistic intervention of her subjects.98 The fact that Stubbs's title invokes the description of feminine desire in The First Blast substantiates Bell's argu- ment . Unlike the ...
Obsah
Acknowledgments | 9 |
Richard Morison John Bale | 26 |
Gender and Nation in Marian | 61 |
Autorské práva | |
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