Strange Communion: Motherland and Masculinity in Tudor Plays, Pamphlets, and PoliticsUniversity of Delaware Press, 2003 - 236 strán (strany) Strange Communion concerns the development in Tudor culture of a tendency to identify the common good with the health of the motherland. Playwrights, polemicists, and politicians such as John Bale, Richard Morison, and William Shakespeare, among others, relied on maternal representations of England to evoke a sense of common purpose. Vanhoutte examines how such motherland tropes came to describe England, how they changed in response to specific political crises, and how they came, by the end of the sixteenth century, to shape literary ideals of masculinity. While Henrician propagandists appealed to Mother England in order to enforce dynastic privilege, their successors modified nationalist symbols as to qualify absolute monarchy. The accessions of two queens thus encouraged a convergence of nationalist and patriarchal ideologies: in late Tudor works, evocations of the national family tend to efface class distinctions while reinforcing gender distinctions. Dr. Jacqueline Vanhoutte is an assistant professor at the University of North Texas. |
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Strana 82
... figure until the end of the play . Like Wyatt , who disallowed Mary agency , Udall is able to present the case for popular sovereignty without directly attacking monarchical insti- tutions . According to Bevington , the initial lack of ...
... figure until the end of the play . Like Wyatt , who disallowed Mary agency , Udall is able to present the case for popular sovereignty without directly attacking monarchical insti- tutions . According to Bevington , the initial lack of ...
Strana 194
... figure Allegoria ” ( 186 ) . 72. My comment extends on Bevington's observation that " however exact its sense of time , Respublica is abstract in characterization " ( Tudor Drama and Politics , 116 ) . 73. Walker , Politics of ...
... figure Allegoria ” ( 186 ) . 72. My comment extends on Bevington's observation that " however exact its sense of time , Respublica is abstract in characterization " ( Tudor Drama and Politics , 116 ) . 73. Walker , Politics of ...
Strana 209
... figure , a fiercely protective mother rather than the aspiring queen consort " ( Women's Matters , 88 ) . 49. Levine calls into question York's credibility in this scene ( Women's Mat- ters , 89–90 ) . But Shakespeare appears aware of ...
... figure , a fiercely protective mother rather than the aspiring queen consort " ( Women's Matters , 88 ) . 49. Levine calls into question York's credibility in this scene ( Women's Mat- ters , 89–90 ) . But Shakespeare appears aware of ...
Obsah
Acknowledgments | 9 |
Richard Morison John Bale | 26 |
Gender and Nation in Marian | 61 |
Autorské práva | |
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