Essays on Chivalry, Romance, and the Drama
Frederick Warne, 1887 - 403 strán (strany)
Originally issued as v 6 of Sir Walter Scott's Prose works, Edinburgh, 1834 Includes bibliographical references Essay on chivalry -- Essay on romance -- Essay on the drama.
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acted action affected Amadis ancient appear arms attended audience battle beautiful became become brought called carried cause character chivalry circumstances comedy composition considered course court criticism distinguished Drama Duke England English equally example existence expression favour feeling followed force France French frequently genius give hand head hero Home honour human imagination interest introduced Italy King knight lady language laws least less Lord manners means mind minstrels Molière moral Naples nature never noble object observed occasion once original passed passion performed perhaps period person piece play poet poetry popular possessed present prince probably produced profession rank received remarkable rendered respect ridicule Romance rules says scene seems society spirit stage story success supposed taste theatre tion tragedy turn usually whole
Strana 272 - This opinion, which, perhaps, prevails as far as human nature is diffused, could become universal only by its truth: those that never heard of one another would not have agreed in a tale which nothing but experience can make credible. That it is doubted by single cavillers can very little weaken the general evidence, and some who deny it with their tongues, confess it by their fears.
Strana 274 - In thoughts from the visions of the night, When deep sleep falleth on men, Fear came upon me, and trembling, Which made all my bones to shake. Then a spirit passed before my face; The hair of my flesh stood up: It stood still, but I could not discern the form thereof: An image was before mine eyes, There was silence, and I heard a voice, saying, Shall mortal man be more just than God?
Strana 273 - What might this be ? A thousand fantasies Begin to throng into my memory, Of. calling shapes, and beckoning shadows dire, And airy tongues that syllable men's names On sands, and shores, and desert wildernesses.
Strana 206 - I saw Hamlet Prince of Denmark played, but now the old plays began to disgust this refined age, since his Majesties being so long abroad.
Strana 168 - And let those that play your clowns speak no more than is set down for them: for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too, though in the meantime some necessary question of the play be then to be considered: that's villanous and shows a most pitiful ambition in the fool that uses it.
Strana 183 - It is false that any representation is mistaken for reality; that any dramatic fable in its materiality was ever credible, or, for a single moment was ever credited.
Strana 183 - Time is of all modes of existence most obsequious to the imagination; a lapse of years is as easily conceived as a passage of hours. In contemplation we easily contract the time of real actions and therefore willingly permit it to be contracted when we only see their imitation.
Strana 273 - The other Shape — If shape it might be called that shape had none Distinguishable in member, joint, or limb; Or substance might be called that shadow seemed, For each seemed either — black it stood as Night, Fierce as ten Furies, terrible as Hell, And shook a dreadful dart: what seemed his head The likeness of a kingly crown had on.
Strana 274 - In the most high and palmy state of Rome, A little ere the mightiest Julius fell, The graves stood tenantless, and the sheeted dead Did squeak and gibber in the Roman streets...