And fare thee weel, my only luve ! SONG. Ar fond kiss and then we sever; Ae fareweel, alas, for ever! Deep in heart-wrung tears I'll pledge thee, I'll ne'er blame my partial fancy, Fare thee weel, thou first and fairest! Deep in heart-wrung tears I pledge thee, THE BONNIE LAD THAT'S FAR AWA. O How can I be blithe and glad, Or how can I gang brisk and braw, When the bonnie lad that I lo❜e best, Is o'er the hills and far awa? It's no the frosty winter wind, It's no the driving drift and snaw: But aye the tear comes in my e'e, To think on him that's far awa. My father pat me frae his door, The bonnie lad that's far awa. A pair o' gloves he gave to me, And silken snoods he gave me twa; And I will wear them for his sake, The bonnie lad that's far awa. The weary winter soon will pass, And spring will cleed the birken-shaw; And my sweet babie will be born, And he'll come hame that's far awa. WHISTLE O'ER THE LAVE O'T. FIRST when Maggy was my care, Meg was meek, and Meg was mild, How we live, my Meg and me, 30 30 U 2 359 SAMUEL ROGERS. SAMUEL ROGERS, one of the most elegant of the | a recent edition has been given to the world, accomThis poem is British poets, was the son of a banker, and himself panied with numerous engravings. follows that business in London, where he was born, his last and greatest, but by no means his best, perabout 1760. He received a learned education, which formance; though an eminent writer in the New he completed by travelling through most of the Monthly Magazine calls it "perfect as a whole.” countries of Europe, including France, Switzerland, There are certainly many very beautiful descriptive Italy, Germany, &c. He has been all his life master passages to be found in it; and it is totally free of an ample fortune, and not subject, therefore, to the from meretriciousness: but we think the author common reverses of an author, in which character has too often mistaken commonplace for simplicity, he first appeared in 1787, when he published a spirit- to render it of much value to his reputation, as a ed Ode to Superstition, with other poems. These whole. It is as the author of the Pleasures of Mewere succeeded, after an interval of five years, by mory, that he will be chiefly known to posterity, the Pleasures of Memory; a work which at once though, at the same time, some of his minor poems established his fame as a first-rate poet. In 1798, he are among the most pure and exquisite fragments published his Epistle to a Friend, with other poems; of verse, which the poets of this age have produced. and did not again come forward, as a poet, till 1814, In society, few men are said to be more agreeable when he added to a collected edition of his works, in manners and conversation than the venerable his somewhat irregular poem of the Vision of Co- subject of our memoir; and his benevolence is lumbus. In the same year came out his Jaqueline, said to be on a par with his taste and accoma tale, in company with Lord Byron's Lara; and, plishments. Lord Byron must have thought highly in 1819, his Human Life. In 1822, was published of his poetry, if he were sincere in saying, "We his first part of Italy, which has since been com- are all wrong, excepting Rogers, Crabbe, and pleted, in three volumes, duodecimo; and of which, | Campbell." THE PLEASURES OF MEMORY. IN TWO PARTS. Hoc est Vivere bis, vita posse priore frui.-Mart. O COULD my mind, unfolded in my page, 1793. THE poem begins with the description of an obscure village, and of the pleasing melancholy which it excites on being revisited after a long absence. This mixed sensation is an effect of the memory. From an effect we naturally ascend to the cause; and the subject proposed is then unfolded, with an investigation of the nature and leading principles of this faculty. It is evident that our ideas flow in continual succession, and introduce each other with a certain degree of regu larity. They are sometimes excited by sensible objects, and sometimes by an internal operation of the mind. Of and its many sources of pleasures to them, as well as to the former species is most probably the memory of brutes; us, are considered in the first part. The latter is the most perfect degree of memory, and forms the subject of the second. When ideas have any relation whatever, they are attractive of each other in the mind; and the perception of any object naturally leads to the idea of another, which was connected with it either in tine or place, or which can be compared or contrasted with it. Hence arises our attachment to inanimate objects; hence also, in some degree, the love of our country, and the emotion with which we contemplate the celebrated scenes of antiquity. Hence a picture directs our thoughts to the original: and, as cold and darkness suggest forcibly the ideas of heat and light, he who feels the infirmities of age dwells most on whatever reminds him of the vigour and vivacity of his youth. The associating principle, as here employed, is no less conducive to virtue than to happiness; and, as such, it frequently discovers itself in the most tumultuous scenes of life. It addresses our finer feelings, and gives exercise to every mild and generous propensity. Not confined to man, it extends through all animated nature; and its effect sare peculiarly striking in the domestic tribes. TWILIGHT's soft dews steal o'er the village-green, Once the calm scene of many a simple sport; See, through the fractured pediment reveal'd, Where moss inlays the rudely-sculptured shield, The martin's old, hereditary nest: Long may the ruin spare its hallow'd guest! As o'er the dusky furniture I bend, Each chair awakes the feelings of a friend. The storied arras, source of fond delight, With old achievement charms the wilder'd sight; And still, with heraldry's rich hues imprest, On the dim window glows the pictured crest. The screen unfolds its many-colour'd chart, The clock still points its moral to the heart. That faithful monitor 'twas heaven to hear, When soft it spoke a promised pleasure near; And has its sober hand, its simple chime, Forgot to trace the feather'd feet of time? That massive beam, with curious carvings wrought, Whence the caged linnet soothed my pensive thought; Those muskets, cased with venerable rust; Still, from the frame in mould gigantic cast, As through the garden's desert paths I rove, Childhood's loved group revisits every scene The tangled wood-walk, and the tufted green! Indulgent Memory wakes, and lo, they live! Clothed with far softer hues than light can give. Thou first, best friend that Heaven assigns below, To soothe and sweeten all the cares we know ; Whose glad suggestions still each vain alarm, When nature fades, and life forgets to charm; Thee would the muse invoke !-to thee belong The sage's precept, and the poet's song. What soften'd views thy magic glass reveals, When o'er the landscape time's meek twilight steals! As when in ocean sinks the orb of day, gray, Just tells the pensive pilgrim where it lay. Down by yon hazel copse, at evening, blazed Imps in the barn with mousing owlet bred, From rifled roost at nightly revel fed; Brightens or fades; yet all, with magic art, Control the latent fibres of the heart. Whose dark eyes flash'd through locks of blackest As studious Prospero's mysterious spell shade, When in the breeze the distant watch-dog bay'd :- To learn the colour of my future years! Ah, then, what honest triumph flush'd my breast; This truth once known-To bless is to be blest! We led the bending beggar on his way, (Bare were his feet, his tresses silver gray,) Soothed the keen pangs his aged spirit felt, And on his tale with mute attention dwelt. As in his scrip we dropt our little store, And sigh'd to think that little was no more, He breath'd his prayer, "Long may such goodness live!" 'Twas all he gave, 'twas all he had to give. But hark! through those old firs, with sullen swell, The church clock strikes! ye tender scenes, farewell! It calls me hence, beneath their shade, to trace On yon gray stone, that fronts the chancel door, The glow-worm loves her emerald light to shed, Where now the sexton rests his hoary head. Oft, as he turn'd the greensward with his spade, He lectured every youth that round him play'd; And, calmly pointing where our fathers lay, Roused us to rival each, the hero of his day. Hush, ye fond flutterings, hush! while here alone I search the records of each mouldering stone. Guides of my life! instructers of my youth! Who first unveil'd the hallow'd form of truth; Whose every word enlighten'd and endear'd; In age beloved, in poverty revered; In friendship's silent register ye live, Nor ask the vain memorial art can give. -But when the sons of peace, of pleasure sleep, When only sorrow wakes, and wakes to weep, What spells entrance my visionary mind With sighs so sweet, with transports so refined! Ethereal power! who at the noon of night Recall'st the far fled spirit of delight; From whom that musing, melancholy mood Which charms the wise, and elevates the good; Blest Memory, hail! O grant the grateful muse, Her pencil dipt in nature's living hues, To pass the clouds that round thy empire roll, And trace its airy precincts in the soul. Lull'd in the countless chambers of the brain, Our thoughts are link'd by many a hidden chain. Awake but one, and lo, what myriads rise! Each stamps its image as the other flies! Each, as the various avenues of sense Delight or sorrow to the soul dispense, Drew every subject spirit to his cell; Survey the globe, each ruder realm explore; Th' adventurous boy, that asks his little share, And hies from home with many a gossip's prayer, Turns on the neighbouring hill, once more to see The dear abode of peace and privacy; And as he turns, the thatch among the trees, The smoke's blue wreaths ascending with the breeze, The village common spotted white with sheep, The churchyard yews round which his fathers sleep; All rouse reflection's sadly pleasing train, And oft he looks and weeps, and looks again. So, when the mild Tupia dared explore Arts yet untaught, and worlds unknown before, And, with the sons of science, woo'd the gale That, rising, swell'd their strange expanse of sail; | So, when he breathed his firm, yet fond adieu, Borne from his leafy hut, his carved canoe, And all his soul best loved-such tears he shed, While each soft scene of summer beauty fled. Long o'er the wave a wistful look he cast, Long watch'd the streaming signal from the mast; Till twilight's dewy tints deceived his eye, And fairy forests fringed the evening sky. So Scotia's queen, as slowly dawn'd the day Rose on her couch, and gazed her soul away. Her eyes had bless'd the beacon's glimmering height, That faintly tipt the feathery surge with light; But now the morn with orient hues portray'd Each castled cliff, and brown monastic shade: All touch'd the talisman's resistless spring, And lo, what busy tribes were instant on the wing! Thus kindred objects kindred thoughts inspire, As summer clouds flash forth electric fire. And hence this spot gives back the joys of youth, Warm as the life, and with the mirror's truth. Hence homefelt pleasure prompts the patriot's sigh; This makes him wish to live, and dare to die. For this young Foscari, whose hapless fate Venice should blush to hear the muse relate, When exile wore his blooming years away, To sorrow's long soliloquies a prey, When reason, justice, vainly urged his cause, For this he roused her sanguinary laws; Glad to return, though hope could grant no more, And chains and torture hail'd him to the shore. And hence the charm historic scenes impart : Hence Tiber awes, and Avon melts the heart. Aerial forms in Tempe's classic vale Glance through the gloom, and whisper in the gale; In wild Vaucluse with love and Laura dwell, And hence that calm delight the portrait gives: What though the iron school of war erase Th' intrepid Swiss, who guards a foreign shore, Condemn'd to climb his mountain cliffs no more, If enance he hears the song so sweetly wild, Which on those cliffs his infant hours beguiled, Melts at the rong-lost scenes that round him rise, And sinks a martyr to repentant sighs. Asa not if courts or camps dissolve the charm: Lay why Vespasian loved his Sabine farm; Why great Navaire, when France and freedom blea, Sought the lone limits of a forest shed. When Dioclesian's seh-corrected mund Say, when contentious Chailes renounced a throne, The social tribes its choicest influence hail:- When o'er the blasted heath the day declined, Yes, though the porter spurn him from the door, more, His faithful dog shall tell his joy to each, With that mute eloquence which passes speech,-- The wanton insults of unfeeling mirth, Led by what chart, transports the timid dove The wreaths of conquest, or the vows of love? Say, through the clouds what compass points her flight? Monarchs have gazed, and nations bless'd the sight. Pile rocks on rocks, bid woods and mountains rise, Eclipse her native shades, her native skies:'Tis vain! through ether's pathless wilds she goes, And lights at last where all her cares repose. Sweet bird! thy truth shall Haarlem's walls attest, And unborn ages consecrate thy nest. Hark! the bee winds her small but mellow Blithe to salute the sunny smile of morn. |