Nothing Remains the Same: Rereading and RememberingHMH, 8. 5. 2003 - 256 strán (strany) A New York Times Notable Book and a San Francisco Chronicle Book of the Year: A look at the pleasures and surprises of rereading. Compared with reading, the act of rereading is far more personal—it involves a complex interaction of our past selves, our present selves, and literature. With candor and humor, this “inspired intellectual romp, part memoir, part criticism” takes us on a guided tour of the author’s own return to books she once knew—from the plays of Shakespeare to twentieth-century novels by Kingsley Amis and Ian McEwan, from the childhood favorite I Capture the Castle to classic novels such as Anna Karenina and Huckleberry Finn, from nonfiction by Henry Adams to poetry by Wordsworth—as she reflects on how the passage of time and the experience of aging has affected her perceptions of them (Lawrence Weschler). A cultural critic and the acclaimed author of Why I Read, Wendy Lesser conveys an infectious love of reading and inspires us all to take another look at the books we’ve read to find the unexpected treasures they might offer. “Delightful.” —Diane Johnson, author of Le Divorce “Anyone who has ever approached a once favorite book later in life . . . will find in this memoir moments of bittersweet recognition.” —The New York Times Book Review “Reflect[s] deeply and candidly on how a reader’s life experiences alter her perceptions of literature . . . [Lesser] has truly fascinating and original things to say about a compelling assortment of writers, including George Orwell, George Eliot, D. H. Lawrence, Dostoyevsky, and Shakespeare.” —Booklist |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 24.
Strana
... Cervantes, Hitchcock about the past, Wordsworth about childhood, McEwan about time . . . and so on down the list of artists I examine here. They all talked about vertigo, which is also, probably, the best word to describe what I felt ...
... Cervantes, Hitchcock about the past, Wordsworth about childhood, McEwan about time . . . and so on down the list of artists I examine here. They all talked about vertigo, which is also, probably, the best word to describe what I felt ...
Strana
... Cervantes' masterpiece that he was able, at long last, to write a few chapters of it on his own—not from memory, but by having become its author anew. It was also done by the very real William Dean Howells, who wrote in a 1919 issue of ...
... Cervantes' masterpiece that he was able, at long last, to write a few chapters of it on his own—not from memory, but by having become its author anew. It was also done by the very real William Dean Howells, who wrote in a 1919 issue of ...
Strana
... Cervantes book was an anti-chivalric epic, a parody of traditional knighthood adventures, when it sounded to my ears so much like them? But that simplifies both my own response and Cervantes' intentions. He meant the novel to be taken ...
... Cervantes book was an anti-chivalric epic, a parody of traditional knighthood adventures, when it sounded to my ears so much like them? But that simplifies both my own response and Cervantes' intentions. He meant the novel to be taken ...
Strana
... Cervantes' novel is that you can never do too much reading if your aim is to appreciate Cervantes' novel. With this rereading, it became apparent to me that Don Quixote contains or alludes to many literary works it could not have known ...
... Cervantes' novel is that you can never do too much reading if your aim is to appreciate Cervantes' novel. With this rereading, it became apparent to me that Don Quixote contains or alludes to many literary works it could not have known ...
Strana
... Cervantes may have created Don Quixote and Sancho Panza, but they got away from him immediately. And everything about Don Quixote—from the way the story comes to us through layers of narrators to the way Volume Two is essentially a ...
... Cervantes may have created Don Quixote and Sancho Panza, but they got away from him immediately. And everything about Don Quixote—from the way the story comes to us through layers of narrators to the way Volume Two is essentially a ...
Obsah
An Education | |
A Young Womans Mistakes | |
All Kinds of Madness | |
A Small Masterpiece | |
The Tree of Knowledge | |
McEwan inTime | |
The Strange Case of Huck and Jim | |
A Literary Career | |
Hitchcocks Vertigo | |
Back Matter | |
Back Cover | |
Spine | |
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Časté výrazy a frázy
actors actually Adams's Aglaya Anna Anna Karenina become believe called Capture the Castle Casaubon Cervantes chapter character child childhood comes criticism Don Quixote Dorothea Dostoyevsky dream essay exactly experience fact feel felt fiction fool garden George Eliot George Orwell Henry Adams Henry James Hermione Howells Huck Huckleberry Finn humor husband idea idiot imagine instance Jenny Diski kind knew Lawrence Leontes literary live look Lucky Jim Madeleine McEwan mean memory ment Middlemarch Milton mother movie Myshkin narrator Nastasya never novel once Orwell Orwell's Paradise Lost perhaps person play pleasure plot poem prince Prospero readers remember rereading Road to Wigan Rocking-Horse Rocking-Horse Winner Sancho Panza scene Scotty seems sense Shakespeare sort story strange tell Tempest things thought tion true turn Vertigo WENDY LESSER Wigan Pier woman word Wordsworth writing
Odkazy na túto knihu
Bringing Memory Forward: Storied Remembrance in Social Justice Education ... Teresa Strong-Wilson Zobrazenie úryvkov - 2008 |