Nothing Remains the Same: Rereading and RememberingHMH, 8. 5. 2003 - 256 strán (strany) A New York Times Notable Book and a San Francisco Chronicle Book of the Year: A look at the pleasures and surprises of rereading. Compared with reading, the act of rereading is far more personal—it involves a complex interaction of our past selves, our present selves, and literature. With candor and humor, this “inspired intellectual romp, part memoir, part criticism” takes us on a guided tour of the author’s own return to books she once knew—from the plays of Shakespeare to twentieth-century novels by Kingsley Amis and Ian McEwan, from the childhood favorite I Capture the Castle to classic novels such as Anna Karenina and Huckleberry Finn, from nonfiction by Henry Adams to poetry by Wordsworth—as she reflects on how the passage of time and the experience of aging has affected her perceptions of them (Lawrence Weschler). A cultural critic and the acclaimed author of Why I Read, Wendy Lesser conveys an infectious love of reading and inspires us all to take another look at the books we’ve read to find the unexpected treasures they might offer. “Delightful.” —Diane Johnson, author of Le Divorce “Anyone who has ever approached a once favorite book later in life . . . will find in this memoir moments of bittersweet recognition.” —The New York Times Book Review “Reflect[s] deeply and candidly on how a reader’s life experiences alter her perceptions of literature . . . [Lesser] has truly fascinating and original things to say about a compelling assortment of writers, including George Orwell, George Eliot, D. H. Lawrence, Dostoyevsky, and Shakespeare.” —Booklist |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 47.
Strana
... kind of one-wayness and the one-wayness of the relationship between a reader and a book. The characters in a novel can speak to us, but we can't speak to them—just as our younger selves can be heard and understood by our older selves ...
... kind of one-wayness and the one-wayness of the relationship between a reader and a book. The characters in a novel can speak to us, but we can't speak to them—just as our younger selves can be heard and understood by our older selves ...
Strana
... kind of intimacy, that makes the book so remarkable. I have heard Don Quixote called both premodern and postmodern, but neither label feels right. Premodernism implies a distance from us, a lack of sophistication, a quaint kind of ...
... kind of intimacy, that makes the book so remarkable. I have heard Don Quixote called both premodern and postmodern, but neither label feels right. Premodernism implies a distance from us, a lack of sophistication, a quaint kind of ...
Strana
... kind of smiling cruelty that bears some relation to sympathetic understanding. (I'm thinking here of the distinction Bernard Williams draws when he says that "cruelty needs to share the sensibility of the sympathetic, while brutality ...
... kind of smiling cruelty that bears some relation to sympathetic understanding. (I'm thinking here of the distinction Bernard Williams draws when he says that "cruelty needs to share the sensibility of the sympathetic, while brutality ...
Strana
... kind of grudge ... against himself for having undertaken a story so dry and limited in scope as this one of Don Quixote." In the first volume the narrator attempted to rectify this problem by introducing a few irrelevant but diverting ...
... kind of grudge ... against himself for having undertaken a story so dry and limited in scope as this one of Don Quixote." In the first volume the narrator attempted to rectify this problem by introducing a few irrelevant but diverting ...
Strana
... kind of crap, butI don't feel likegoing intoit,if you want toknow the truth."It didnot escape my notice that, over a distance of thirty-five years, Salinger's tone, even bits ofhis own language and style,had invadedmy refusalto reread ...
... kind of crap, butI don't feel likegoing intoit,if you want toknow the truth."It didnot escape my notice that, over a distance of thirty-five years, Salinger's tone, even bits ofhis own language and style,had invadedmy refusalto reread ...
Obsah
An Education | |
A Young Womans Mistakes | |
All Kinds of Madness | |
A Small Masterpiece | |
The Tree of Knowledge | |
McEwan inTime | |
The Strange Case of Huck and Jim | |
A Literary Career | |
Hitchcocks Vertigo | |
Back Matter | |
Back Cover | |
Spine | |
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Časté výrazy a frázy
actors actually Adams's Aglaya Anna Anna Karenina become believe called Capture the Castle Casaubon Cervantes chapter character child childhood comes criticism Don Quixote Dorothea Dostoyevsky dream essay exactly experience fact feel felt fiction fool garden George Eliot George Orwell Henry Adams Henry James Hermione Howells Huck Huckleberry Finn humor husband idea idiot imagine instance Jenny Diski kind knew Lawrence Leontes literary live look Lucky Jim Madeleine McEwan mean memory ment Middlemarch Milton mother movie Myshkin narrator Nastasya never novel once Orwell Orwell's Paradise Lost perhaps person play pleasure plot poem prince Prospero readers remember rereading Road to Wigan Rocking-Horse Rocking-Horse Winner Sancho Panza scene Scotty seems sense Shakespeare sort story strange tell Tempest things thought tion true turn Vertigo WENDY LESSER Wigan Pier woman word Wordsworth writing
Odkazy na túto knihu
Bringing Memory Forward: Storied Remembrance in Social Justice Education ... Teresa Strong-Wilson Zobrazenie úryvkov - 2008 |