Nothing Remains the Same: Rereading and RememberingHMH, 8. 5. 2003 - 256 strán (strany) A New York Times Notable Book and a San Francisco Chronicle Book of the Year: A look at the pleasures and surprises of rereading. Compared with reading, the act of rereading is far more personal—it involves a complex interaction of our past selves, our present selves, and literature. With candor and humor, this “inspired intellectual romp, part memoir, part criticism” takes us on a guided tour of the author’s own return to books she once knew—from the plays of Shakespeare to twentieth-century novels by Kingsley Amis and Ian McEwan, from the childhood favorite I Capture the Castle to classic novels such as Anna Karenina and Huckleberry Finn, from nonfiction by Henry Adams to poetry by Wordsworth—as she reflects on how the passage of time and the experience of aging has affected her perceptions of them (Lawrence Weschler). A cultural critic and the acclaimed author of Why I Read, Wendy Lesser conveys an infectious love of reading and inspires us all to take another look at the books we’ve read to find the unexpected treasures they might offer. “Delightful.” —Diane Johnson, author of Le Divorce “Anyone who has ever approached a once favorite book later in life . . . will find in this memoir moments of bittersweet recognition.” —The New York Times Book Review “Reflect[s] deeply and candidly on how a reader’s life experiences alter her perceptions of literature . . . [Lesser] has truly fascinating and original things to say about a compelling assortment of writers, including George Orwell, George Eliot, D. H. Lawrence, Dostoyevsky, and Shakespeare.” —Booklist |
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Strana
... simply is, [Wendy Lesser] is the perfect broker between the claims of page and person ... Her choices are canny, nicely balanced." —Sven Birkerts, Los Angeles Times Book Review "This delightful book extended my horizons and gave me many ...
... simply is, [Wendy Lesser] is the perfect broker between the claims of page and person ... Her choices are canny, nicely balanced." —Sven Birkerts, Los Angeles Times Book Review "This delightful book extended my horizons and gave me many ...
Strana
... simply by having passed into our lives .. . Without having abandoned or denied our author we yet come expressly back to him, and if not quite in tatters and in penitence like the Prodigal Son, with something at all events of the ...
... simply by having passed into our lives .. . Without having abandoned or denied our author we yet come expressly back to him, and if not quite in tatters and in penitence like the Prodigal Son, with something at all events of the ...
Strana
... simply annoyed at his craziness and its effects on them (his failure to pay for his lodgings, his destruction of other people's property, the physical injuries he inflicts, and so on). In their annoyance they are often brutal. Hence the ...
... simply annoyed at his craziness and its effects on them (his failure to pay for his lodgings, his destruction of other people's property, the physical injuries he inflicts, and so on). In their annoyance they are often brutal. Hence the ...
Strana
... simply believe in luck. The possibilities available to you are limited, but that makes it even more important that you choose the right one. And this, in turn, means that you have to think about your own character in order to assist in ...
... simply believe in luck. The possibilities available to you are limited, but that makes it even more important that you choose the right one. And this, in turn, means that you have to think about your own character in order to assist in ...
Strana
... simply a matter of being a woman. Many men of my acquaintance have turned out to be more like Cassandra Mortmain (or Isabel Archer, or Proust's Marcel, or Paul Morel) than they have like Jim Dixon (or Tom Jones, or Becky Sharp, or Augie ...
... simply a matter of being a woman. Many men of my acquaintance have turned out to be more like Cassandra Mortmain (or Isabel Archer, or Proust's Marcel, or Paul Morel) than they have like Jim Dixon (or Tom Jones, or Becky Sharp, or Augie ...
Obsah
An Education | |
A Young Womans Mistakes | |
All Kinds of Madness | |
A Small Masterpiece | |
The Tree of Knowledge | |
McEwan inTime | |
The Strange Case of Huck and Jim | |
A Literary Career | |
Hitchcocks Vertigo | |
Back Matter | |
Back Cover | |
Spine | |
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Časté výrazy a frázy
actors actually Adams's Aglaya Anna Anna Karenina become believe called Capture the Castle Casaubon Cervantes chapter character child childhood comes criticism Don Quixote Dorothea Dostoyevsky dream essay exactly experience fact feel felt fiction fool garden George Eliot George Orwell Henry Adams Henry James Hermione Howells Huck Huckleberry Finn humor husband idea idiot imagine instance Jenny Diski kind knew Lawrence Leontes literary live look Lucky Jim Madeleine McEwan mean memory ment Middlemarch Milton mother movie Myshkin narrator Nastasya never novel once Orwell Orwell's Paradise Lost perhaps person play pleasure plot poem prince Prospero readers remember rereading Road to Wigan Rocking-Horse Rocking-Horse Winner Sancho Panza scene Scotty seems sense Shakespeare sort story strange tell Tempest things thought tion true turn Vertigo WENDY LESSER Wigan Pier woman word Wordsworth writing
Odkazy na túto knihu
Bringing Memory Forward: Storied Remembrance in Social Justice Education ... Teresa Strong-Wilson Zobrazenie úryvkov - 2008 |