Studies of ShakspereG. Routledge, 1868 - 560 strán (strany) |
Vyhľadávanie v obsahu knihy
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Strana 10
... belongs to that class of moral plays which were of the simplest construction . And yet it was popular long after the English drama had reached its highest eminence . CHAPTER III . men hath decayed , and they are thought to be covetous ...
... belongs to that class of moral plays which were of the simplest construction . And yet it was popular long after the English drama had reached its highest eminence . CHAPTER III . men hath decayed , and they are thought to be covetous ...
Strana 11
... belongs to an earlier period of the stage than the similar scene in Shakspere's ' Induction , ' or whether Shakspere ... belong to the supernatural or al- legorical class of personages . Mr. Collier , in his History of Dramatic Poetry ...
... belongs to an earlier period of the stage than the similar scene in Shakspere's ' Induction , ' or whether Shakspere ... belong to the supernatural or al- legorical class of personages . Mr. Collier , in his History of Dramatic Poetry ...
Strana 23
... belongs ' Lo- CRINE , ' a play falsely ascribed to Shakspere himself , and Shakspere's own ' Lear . ' The ' Lear ' wholly belongs to the Tragic Drama , " the most perfect specimen of the dramatic art existing in the world . " ' LOCRINE ...
... belongs ' Lo- CRINE , ' a play falsely ascribed to Shakspere himself , and Shakspere's own ' Lear . ' The ' Lear ' wholly belongs to the Tragic Drama , " the most perfect specimen of the dramatic art existing in the world . " ' LOCRINE ...
Strana 24
... belongs essentially to that period when the respective powers of action and of words were imperfectly under - proaching to the character of a chorus . Thus stood ; when what was exhibited to the eye required to be explained , and what ...
... belongs essentially to that period when the respective powers of action and of words were imperfectly under - proaching to the character of a chorus . Thus stood ; when what was exhibited to the eye required to be explained , and what ...
Strana 26
... belongs , if not to a period scarcely re- moved from the rude art of the early stages , at least to a period when the principles of real dramatic poetry had not been generally received . It is essentially of the first tran- sition state ...
... belongs , if not to a period scarcely re- moved from the rude art of the early stages , at least to a period when the principles of real dramatic poetry had not been generally received . It is essentially of the first tran- sition state ...
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action amongst appears Arden audience beauty believe Brutus Cæsar called character Coleridge comedy Comedy of Errors copy criticism Cymbeline death doth doubt drama Duke edition English exhibit eyes Falstaff father fear Fletcher folio give Hamlet hath heart Henry Henry IV honour John Jonson Julius Cæsar King labour lady Lear live Locrine look lord Love's Love's Labour's Lost Macbeth Malone master Merry Wives mind nature never night noble Noble Kinsmen opinion original Othello passage passion play players poem poet poet's poetical poetry praise Prince principle printed produced quarto Queen racter reader Richard Richard II Romeo and Juliet says scene Shak Shakspere Shakspere's Sonnets soul speak spere spirit stage Steevens story sweet tell thee thine thing thou art thought Timon tion Titus Andronicus tragedy Troilus and Cressida true truth verse words writer written
Populárne pasáže
Strana 478 - Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved.
Strana 235 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Strana 490 - Gainst death and all-oblivious enmity Shall you pace forth; your praise shall still find room, Even in the eyes of all posterity That wear this world out to the ending doom. So till the judgment that yourself arise, You live in this, and dwell in lovers
Strana 494 - When I have seen the hungry ocean gain Advantage on the kingdom of the shore, And the firm soil win of the wat'ry main, Increasing store with loss and loss with store; When I have seen such interchange of state, Or state itself confounded to decay, Ruin hath taught me thus to ruminate, That Time will come and take my love away.
Strana 497 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Strana 161 - Yet I argue not Against Heaven's hand or will, nor bate a jot Of heart or hope ; but still bear up and steer Right onward.
Strana 496 - Give warning to the world that I am fled From this vile world, with vilest worms to dwell : Nay, if you read this line, remember not The hand that writ it ; for I love you so That I in your sweet thoughts would be forgot If thinking on me then should make you woe.
Strana 103 - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, — The seasons...
Strana 106 - gainst my fury • Do I take part : the rarer action is In virtue than in vengeance : they being penitent, The sole drift of my purpose doth extend Not a frown further : Go, release them, Ariel ; My charms I'll break, their senses I'll restore, • And they shall be themselves.
Strana 470 - When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's •waste...