Wycherley has also copied from Molière another play, of as singular and bold a cast, which is a kind of Ecole des Femmes, or, School for Married Women.

The principal character in this comedy is one Horner, a sly fortune hunter, and the terror of all the City husbands. This fellow, in order to play a surer game, causes a report to be spread, that in his last illness, the surgeons had found it necessary to have him made a eunuch. Upon his appearing in this noble character, all the husbands in town flocked to him with their wives, and now poor Horner is only puzzled about his choice. However, he gives the preference particularly to a little female peasant, a very harmless, innocent creature, who enjoys a fine flush of health, and cuckolds her husband with a simplicity that has infinitely more merit than the witty malice of the most experienced ladies. This play cannot indeed be called the school of good morals, but it is certainly the school of wit and true humour.

Sir John Vanbrugh has written several comedies, which are more humorous than those of Mr. Wycherley, but not so ingenious. Sir John was a man of pleasure, and likewise a poet and an architect. The general opinion is, that he is as sprightly in his writings as he is heavy in his buildings. It is he who raised the famous Castle of Blenheim, a ponderous and lasting monument of our unfortunate Battle of Hochstet. Were the apartments but as spacious as the walls are thick, this castle would be commodious enough. Some wag, in an epitaph he made on Sir John Vanbrugh, has these lines:"Earth lie light on him, for he

Laid many a heavy load on thee."

Sir John having taken a tour into France before the glorious war that broke out in 1701, was thrown into the Bastille, and detained there for some time, without being ever able to discover the motive which had prompted our ministry to indulge him with this mark of their distinction. He wrote a comedy during his confinement; and a circumstance which appears to me very extraordinary is, that we don't meet with so much as a single satirical stroke against the country in which he had been so injuriously treated.

The late Mr. Congreve raised the glory of comedy to a greater

height than any English writer before or since his time. He wrote only a few plays, but they are all excellent in their kind. The laws of the drama are strictly observed in them; they abound with characters all which are shadowed with the utmost delicacy, and we don't meet with so much as one low or coarse jest. The language is everywhere that of men of honour, but their actions are those of knaves—a proof that he was perfectly well acquainted with human nature, and frequented what we call polite company. He was infirm and come to the verge of life when I knew him. Mr. Congreve had one defect, which was his entertaining too mean an idea of his first profession (that of a writer), though it was to this he owed his fame and fortune. He spoke of his works as of trifles that were beneath him; and hinted to me, in our first conversation, that I should visit him upon no other footing than that of a gentleman who led a life of plainness and simplicity. I answered, that had he been so unfortunate as to be a mere gentleman, I should never have come to see him; and I was very much disgusted at so unseasonable a piece of vanity.

Mr. Congreve's comedies are the most witty and regular, those of Sir John Vanbrugh most gay and humorous, and those of Mr. Wycherley have the greatest force and spirit. It may be proper to observe that these fine geniuses never spoke disadvantageously of Molière; and that none but the contemptible writers among the English have endeavoured to lessen the character of that great comic poet. Such Italian musicians as despise Lully are themselves persons of no character or ability; but a Buononcini esteems that great artist, and does justice to his merit.

The English have some other good comic writers living, such as Sir Richard Steele and Mr. Cibber, who is an excellent player, and also Poet Laureate a title which, how ridiculous soever it may be thought, is yet worth a thousand crowns a year (besides some considerable privileges) to the person who enjoys it. Our illustrious Corneille had not so much.

To conclude. Don't desire me to descend to particulars with regard to these English comedies, which I am so fond of applauding; nor to give you a single smart saying or humorous stroke from Wycherley or Congreve. We don't laugh in reading a translation.

If you have a mind to understand the English comedy, the only way to do this will be for you to go to England, to spend three years in London, to make yourself master of the English tongue, and to frequent the playhouse every night. I receive but little pleasure from the perusal of Aristophanes and Plautus, and for this reason because I am neither a Greek nor a Roman. The delicacy of the humour, the allusion, the à propos-all these are lost to a foreigner.

But it is different with respect to tragedy, this treating only of exalted passions and heroical follies, which the antiquated errors of fable or history have made sacred. Edipus, Electra, and such-like characters, may with as much propriety be treated of by the Spaniards, the English, or us, as by the Greeks. But true comedy is the speaking picture of the follies and ridiculous foibles of a nation; so that he only is able to judge of the painting who is perfectly acquainted with the people it represents.

LETTER XX

ON SUCH OF THE NOBILITY AS CULTIVATE THE BELLES LETTRES

THERE once was a time in France when the polite arts were cultivated by persons of the highest rank in the state. The courtiers particularly were conversant in them, although indolence, a taste for trifles, and a passion for intrigue, were the divinities of the country. The Court methinks at this time seems to have given into a taste quite opposite to that of polite literature, but perhaps the mode of thinking may be revived in a little time. The French are of so flexible a disposition, may be moulded into such a variety of shapes, that the monarch needs but command and he is immediately obeyed. The English generally think, and learning is had in greater honour among them than in our country-an advantage that results naturally from the form of their government. There are about eight hundred persons in England who have a right to speak in public, and to support the interest of the kingdom and near five or six thousand may in their turns aspire to the same honour. The whole nation set. themselves up as judges over these, and every man has the liberty

of publishing his thoughts with regard to public affairs, which shows that all the people in general are indispensably obliged to cultivate their understandings. In England the governments of Greece and Rome are the subject of every conversation, so that every man is under a necessity of perusing such authors as treat of them, how disagreeable soever it may be to him; and this study leads naturally to that of polite literature. Mankind in general speak well in their respective professions. What is the reason why our magistrates, our lawyers, our physicians, and a great number of the clergy, are abler scholars, have a finer taste, and more wit, than persons of all other professions? The reason is, because their condition of life requires a cultivated and enlightened mind, in the same manner as a merchant is obliged to be acquainted with his traffic. Not long since an English nobleman, who was very young, came to see me at Paris on his return from Italy. He had written a poetical description of that country, which, for delicacy and politeness, may vie with anything we meet with in the Earl of Rochester, or in our Chaulieu, our Sarrasin, or Chapelle. The translation I have given of it is so inexpressive of the strength and delicate humour of the original, that I am obliged seriously to ask pardon of the author and of all who understand English. However, as this is the only method I have to make his lordship's verses known, I shall here present you with them in our tongue:

"Qu'ay je donc vû dans l'Italie?
Orgueil, astuce, et pauvreté,
Grands complimens, peu de bonté
Et beaucoup de ceremonie

"L'extravagante comedie
Que souvent l'Inquisition
Veut qu'on nomme religion
Mais qu'ici nous nommons folie.

"La Nature en vain bienfaisante
Veut enricher ses lieux charmans,
Des prêtres la main desolante
Etouffe ses plus beaux présens.

Condamné par eux mêmes à l'ennui du repos.
Ce mystique encloîtré, fier de son indolence
Tranquille, au sein de Dieu. Que peut il faire? Il pense.
Non, tu ne penses point, misérable, tu dors:
Inutile à la terre, et mis au rang des morts.
Ton esprit énervé croupit dans la molesse.
Reveille toi, sois homme, et sors de ton ivresse.
L'homme est né pour agir, et tu pretens penser?" &c.

The original runs thus:

"Hold mighty man, I cry all this we know,
And 'tis this very reason I despise,

This supernatural gift that makes a mite
Think he's the image of the Infinite;
Comparing his short life, void of all rest,
To the eternal and the ever blest.

This busy, puzzling stirrer up of doubt,

That frames deep mysteries, then finds them out,
Filling, with frantic crowds of thinking fools,
Those reverend bedlams, colleges, and schools;
Borne on whose wings each heavy sot can pierce
The limits of the boundless universe.
So charming ointments make an old witch fly,
And bear a crippled carcass through the sky.
'Tis this exalted power, whose business lies
In nonsense and impossibilities.

This made a whimsical philosopher
Before the spacious world his tub prefer;

And we have modern cloistered coxcombs, who
Retire to think, 'cause they have naught to do.
But thoughts are given for action's government,
Where action ceases, thought's impertinent.'

Whether these ideas are true or false, it is certain they are expressed with an energy and fire which form the poet. I shall be very far from attempting to examine philosophically into these verses, to lay down the pencil, and take up the rule and compass on this occasion; my only design in this letter being to display the genius of the English poets, and therefore I shall continue in the same view.

The celebrated Mr. Waller has been very much talked of in France, and Mr. de la Fontaine, St. Evremont, and Bayle have written his eulogium, but still his name only is known. He had much the same