Cooper Monographs on English and American Language and Literature, Zväzky 21–23

action alienation American appears audience Barabas becomes beginning behavior Benedick Bigger Cane chapter character Claudio comedy comic contrast criticism dark death distortion dramatic dream Duke Edward effect Ellison's emotion episode expression eyes face Faustus fear feeling fiction Fisk University function Gentlemen of Verona gestic gesture grotesque figure grotesque object grotesque situation grotesque traits hand Harlem hero hero's Hieronimo Hippolytus Ibid imagery interpretation Invisible Jean Toomer Kabnis Leonato looks lord Lorenzo Love's Labour's Lost Marlowe means Mephistopheles metaphor Midsummer Night's Dream mirror mirror-passages mirror-technique mood motif murder Negro night nightmare novel passage passion play Portia protagonist Ralph Ellison reaction reality reference reflexive revenge Richard Wright Rosalind scene seems Senecan Shadow and Act Shakespeare Shylock simile speech stage stage-direction story suggests symbolic Tamburlaine tesque thee Theseus thou Thyestes tion Twelfth Night underground visual whereas word-scenery Wright York