Split Down the Sides: On the Subject of LaughterUniversity Press of America, 1997 - 245 strán (strany) This book is a study of the interrelationship between comedy and selfhood. While most people have a clear idea of what is meant by comedy, the notion of a self is much more enigmatic and therefore requires illumination. The book is accordingly divided into two parts: the first attempts to clarify what is meant by a self, and the second applies the resulting schematization of selfhood to the phenomenon of laughter. The two parts echo one another, contributing both to an understanding of comedy and to the ongoing philosophical question of identity. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 42.
Strana 33
... hand - to - hand conflict between the activities of left and right , often with deeply distressing consequences for the person concerned ( as when the left hand beckons to husband or wife , while the right hand pushes him or her away ) ...
... hand - to - hand conflict between the activities of left and right , often with deeply distressing consequences for the person concerned ( as when the left hand beckons to husband or wife , while the right hand pushes him or her away ) ...
Strana 74
... hand , he is seen as a lamentable , despicable , even guilty personage ; he is the butt of all sorts of mockery , insults and of course violence ; he is surrounded , on the other hand , with an almost religious veneration . " " The ...
... hand , he is seen as a lamentable , despicable , even guilty personage ; he is the butt of all sorts of mockery , insults and of course violence ; he is surrounded , on the other hand , with an almost religious veneration . " " The ...
Strana 191
... hand at Guildenstern while Rosencrantz bows – Guildenstern bows late and hurriedly ) ... and Guildenstern . ( He raises a hand at Rosencrantz while Guildenstern bows to him – Rosencrantz is still straightening up from his previous bow ...
... hand at Guildenstern while Rosencrantz bows – Guildenstern bows late and hurriedly ) ... and Guildenstern . ( He raises a hand at Rosencrantz while Guildenstern bows to him – Rosencrantz is still straightening up from his previous bow ...
Obsah
Defining the Subject | 3 |
Self as Structure | 55 |
Self as Individual | 77 |
Autorské práva | |
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actor ambivalence Amphitryon Ancient Greek comedy Aristophanic awareness behaviour bodily body boundaries brain Candomblé causal celebration chapter cognitive comedy comedy's comic commedia dell'arte concept consciousness context contradiction dead death Devil diabolical Dionysus disorder embodied entity Essex girls example existence experience Faber fact Falstaff fear festive fictive folly fool function grotesque Guildenstern happy ending Harmondsworth human humour Ibid individual interaction jokes laughing laughter law of identity London madness Martin Amis matter means medieval memory metaphor mind Molière moral narrator negation negative non-self normally Northrop Frye nose object Oeuvres complètes one's organism ourselves Oxford P. F. Strawson Parfit parody Penguin performance pharmakos philosophical physical play possibility potential presupposes question Rabelais Rachel Papers rational recognition reflection ritual role Rosencrantz Samuel Beckett satire scapegoat self-difference sense sexual simply Slaughterhouse-Five social Socrates sort spectator structure temporal theatrical traditional transgression Trickster unity University Press words