Split Down the Sides: On the Subject of LaughterUniversity Press of America, 1997 - 245 strán (strany) This book is a study of the interrelationship between comedy and selfhood. While most people have a clear idea of what is meant by comedy, the notion of a self is much more enigmatic and therefore requires illumination. The book is accordingly divided into two parts: the first attempts to clarify what is meant by a self, and the second applies the resulting schematization of selfhood to the phenomenon of laughter. The two parts echo one another, contributing both to an understanding of comedy and to the ongoing philosophical question of identity. |
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Strana 95
... narrator , old Qfwfq , as well as the subjects of his narration , exist not only before space but before time . " Peopling " this punctual non - space alongside the narrator and the irksome Mr. Pbert Pberd are the all- encompassingly ...
... narrator , old Qfwfq , as well as the subjects of his narration , exist not only before space but before time . " Peopling " this punctual non - space alongside the narrator and the irksome Mr. Pbert Pberd are the all- encompassingly ...
Strana 96
... narrator himself as a narrator - cum - character having a distinct persona yet as a dot in a punctiform universe being completely indistinguishable from everyone else . In another story , " How Much Shall We Bet ? " , old Qfwfq enters ...
... narrator himself as a narrator - cum - character having a distinct persona yet as a dot in a punctiform universe being completely indistinguishable from everyone else . In another story , " How Much Shall We Bet ? " , old Qfwfq enters ...
Strana 108
... narrator alerts the reader to his or her own most harrowing horrors : “ To be buried while alive is , beyond question , the most terrific of these extremes which has ever fallen to the lot of mere mortality . That it has frequently ...
... narrator alerts the reader to his or her own most harrowing horrors : “ To be buried while alive is , beyond question , the most terrific of these extremes which has ever fallen to the lot of mere mortality . That it has frequently ...
Obsah
Defining the Subject | 3 |
Self as Structure | 55 |
Self as Individual | 77 |
Autorské práva | |
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actor ambivalence Amphitryon Ancient Greek comedy Aristophanic awareness behaviour bodily body boundaries brain Candomblé causal celebration chapter cognitive comedy comedy's comic commedia dell'arte concept consciousness context contradiction dead death Devil diabolical Dionysus disorder embodied entity Essex girls example existence experience Faber fact Falstaff fear festive fictive folly fool function grotesque Guildenstern happy ending Harmondsworth human humour Ibid individual interaction jokes laughing laughter law of identity London madness Martin Amis matter means medieval memory metaphor mind Molière moral narrator negation negative non-self normally Northrop Frye nose object Oeuvres complètes one's organism ourselves Oxford P. F. Strawson Parfit parody Penguin performance pharmakos philosophical physical play possibility potential presupposes question Rabelais Rachel Papers rational recognition reflection ritual role Rosencrantz Samuel Beckett satire scapegoat self-difference sense sexual simply Slaughterhouse-Five social Socrates sort spectator structure temporal theatrical traditional transgression Trickster unity University Press words