The Mirror of Taste, and Dramatic Censor, Zväzok 41811 A drama is appended to each number of v. 1-2 |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 30.
Strana
... Kemble 222 , 389 lie , thoughts on the 287 Charles Macklin 408 Employment for a wife 102 James Quin 18 Epilogue , by Garrick 34 William Warren 422 Epigrams on Garrick 18 , 86 Mrs. Siddons 171 , 281 Cavalli signior , brought to Paris ...
... Kemble 222 , 389 lie , thoughts on the 287 Charles Macklin 408 Employment for a wife 102 James Quin 18 Epilogue , by Garrick 34 William Warren 422 Epigrams on Garrick 18 , 86 Mrs. Siddons 171 , 281 Cavalli signior , brought to Paris ...
Strana
... Kemble Prize Prologue , by R. T. Paine 308 Prologue , spoken by Garrick 32 230 Barry 33 Instance of extraordinary memory Public Credulity 247 in an Italian 88 Jealousy 445 Quin , James , memoirs of Reform - 18 · 11 Judges , an example ...
... Kemble Prize Prologue , by R. T. Paine 308 Prologue , spoken by Garrick 32 230 Barry 33 Instance of extraordinary memory Public Credulity 247 in an Italian 88 Jealousy 445 Quin , James , memoirs of Reform - 18 · 11 Judges , an example ...
Strana 119
... KEMBLE . Henderson was little short of what we should be contented to receive as perfection ; and we remember to have overheard the celebrated dean Barnard , the bosom friend of Garrick , declare to a circle in the box room of Crow ...
... KEMBLE . Henderson was little short of what we should be contented to receive as perfection ; and we remember to have overheard the celebrated dean Barnard , the bosom friend of Garrick , declare to a circle in the box room of Crow ...
Strana 120
... Kemble never can picture the debility of old age . In his Lear consummate art is seen , struggling against nature , in a vain attempt to put in practice Murphy's description of Garrick : but the laborious effort is seen , and the ...
... Kemble never can picture the debility of old age . In his Lear consummate art is seen , struggling against nature , in a vain attempt to put in practice Murphy's description of Garrick : but the laborious effort is seen , and the ...
Strana 133
... Kemble's first performance of Prospero , in the Tempest , the critics were astonished to hear him pronounce the plural of the word ACHE as if it were spelled AITCHES - in which he was most certainly correct : the word being a ...
... Kemble's first performance of Prospero , in the Tempest , the critics were astonished to hear him pronounce the plural of the word ACHE as if it were spelled AITCHES - in which he was most certainly correct : the word being a ...
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
actor admired afterwards appearance applause audience Bajazet BALT beauty better called character Charles Macklin comedy Corneille Covent-garden critics cross and pile daughter DAVID GARRICK Doctor Johnson dramatic Drury-lane duke effect excellent extraordinary eyes Falstaff fame father Faulconbridge favour feelings French Garrick gave genius gentleman give Goneril Hamlet hand happy heart honour humour intitled Kemble kind king lady Lear lived look lord Macbeth Macklin madness manager manner merit mind MIRROR OF TASTE Moliere Monfort nature never night observed occasion opinion Othello passion perfect performance person piece play poet praise prince Quin RACINE racter readers reason respect Rogero Romeo and Juliet scene seemed Shakspeare Shylock soon soul speak stage talents Tate Wilkinson theatre theatrical thee thing thou thought tion tragedy truth virtue voice whole words write young
Populárne pasáže
Strana 117 - O, reason not the need : our basest beggars Are in the poorest thing superfluous: Allow not nature more than nature needs, Man's life is cheap as beast's: thou art a lady; If only to go warm were gorgeous, Why, nature needs not what thou gorgeous wear'st, Which scarcely keeps thee warm.
Strana 47 - ... twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now this overdone, or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve; the censure of the which one must in your allowance o'erweigh a whole theatre of others.
Strana 389 - Hath seal'd thee for herself; for thou hast been As one, in suffering all, that suffers nothing, A man that fortune's buffets and rewards Hast ta'en with equal thanks...
Strana 391 - Why, this is hire and salary, not revenge. He took my father grossly, full of bread ; With all his crimes broad blown, as flush as May j And, how his audit stands, who knows, save heaven?
Strana 55 - ... the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination; and expressing the course of the world, in which the loss of one is the gain of another; in which, at the same time, the reveller is hasting to his wine, and the mourner burying his friend; in which the malignity of one is sometimes defeated by the frolic of another; and many mischiefs and many benefits are done and hindered without...
Strana 118 - Stain my man's cheeks ! — No, you unnatural hags, I will have such revenges on you both, That all the world shall — I will do such things, — What they are, yet I know not ; but they shall be The terrors of the earth. You think I'll weep ; No, I'll not weep.
Strana 389 - There needs no ghost, my lord, come from the grave, To tell us this. Ham. Why, right; you are in the right ; And so, without more circumstance at all, I hold it fit, that we shake hands, and part: You, as your business, and desire, shall point you; — For every man...
Strana 388 - Who calls me villain ? breaks my pate across? Plucks off my beard, and blows it in my face ? Tweaks me by the nose ? gives me the lie i' the throat, As deep as to the lungs ? Who does me this ? Ha!
Strana 59 - I know my course. The spirit that I have seen May be the devil : and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, — As he is very potent with such spirits, — Abuses me to damn me: I'll have grounds More relative than this: — the play's the thing Wherein I'll catch the conscience of the king.
Strana 52 - I have heard of your paintings too, well enough; God hath given you one face, and you make yourselves another: you jig, you amble, and you lisp, and nickname God's creatures, and make your wantonness your ignorance.