Building Resemblance: Analogical Imagery in the Early French RenaissanceJohns Hopkins University Press, 1996 - 221 strán (strany) Resemblance, as featured in allegorical, analogical, and other figurative modes of expression, is often considered to be at the heart of discourse and understanding in the sixteenth century. Although this is undoubtedly true in Marsilio Ficino's Neoplatonism or Henry Cornelius Agrippa's occult philosophy, Michael Randall notes that difference also shows itself as an important element in many literary works of the early French Renaissance. In Building Resemblance, Randall examines the complex development of analogical imagery linking the imperfect human to the perfect divine in the poetry and prose of Jean Molinet and Jean Lemaire de Belges, two official historiographers working at the court of Burgundy, and in the novels of Fran& ccedil;ois Rabelais. In many of these texts, human beings understand their world not only through its resemblance to an invisible ideal but also through empirical analysis of contingent phenomena. Randall identifies a movement from Molinet's works featuring a conflicted relationship of resemblance and difference to Lemaire's, in which resemblance flourishes, and finally to Rabelais's Quart Livre, in which the principle of difference triumphs. All of these works, he argues, bear witness to the struggle between the paradigm of resemblance and that of difference, which would come to characterize the discourse of the modern era. In its use of noncanonical authors such as Molinet and Lemaire and in its contextualization of these authors in the works of other little-known writers, Building Resemblance offers a compelling new portrait of French Renaissance literature. |
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... imperfect or contingent sign appear with great regularity in the works of Molinet , Lemaire , and Rabelais . And yet often these images take on odd shapes and sometimes even seem to reverse the ordering of imperfect and perfect , so ...
... imperfect analogate participate to different degrees in the same analogon , they must maintain a rigid ordering in their expression . The imperfect analogate ( the earthly term of the comparison ) must be known first , even if its ...
... imperfect's similitude with the perfect be- comes the theoretical basis for the comparison . Margaret's resemblance to the Virgin becomes a means for the imperfect human being to under- stand the divine : Ne t'en desplaist , Vierge ...
Obsah
la Rose moralisé | 13 |
Molinets Reversed Analogies | 40 |
Etymologies tant ineptes | 58 |
Autorské práva | |
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Building Resemblance: Analogical Imagery in the Early French Renaissance Michael Randall Zobrazenie úryvkov - 1996 |