5. A fifth Asclepiad, C. 11. and 18. A tetrameter choriambic (with a half foot at the beginning and end of the verse): 7. Another variety of the Sapphic, C. 8. 9. The Alcmanic (from Alcman, a Spartan lyric poet), C. 7. A dactylic hexameter verse, followed by a tetra meter. 10. Hipponactean (from Hipponax, more known as the inventor of the Scazon Iambic). A trochaic dimeter catalectic, followed by an iambic trimeter catalectic, C. ii. 18. 11. The Ionic à minore (~~-−), C. iii. 12. shown by Bentley, in his note, to consist of strophes or periods of ten feet. The remaining metres are called Archilochian :— 12. One (the fourth Arch.) is in C. 4.; the first verse consisting of a dactylic tetrameter and three trochees, the second of a trimeter iambic catalectic. 13. Another (the first Arch.) is in C. iv. 7, consisting of a dactylic hexameter followed by a penthemimer. Two more varieties of the Archilochian are found in Epod. 11. and 13.; but the principal metre in the Epodes Q. HORATII FLACCI CARMINUM LIBER PRIMUS. CARMEN I. AD MECENATEM. MACENAS atavis edite regibus, 5 10 Hunting. 29. Poesy. With the. first few lines and their general scope compare Pindar, Fragm. 139. 1. Caius Cilnius Mæcenas. His prise. 19. Feasts. 23. War. 25. birthday is celebrated, Carm. 1v. ii. 18. His ancestry referred to, Carm. III. xxix. 1. ; Sat. I. vi. 1. The Cilnii were an ancient and leading house at Arretium: Liv. x. 1. 3. Description of the various objects of men's ambition. 3-6. The chariot race. 7. Political distinction. 9. Commercial wealth. 11. Home occupations. 15. Mercantile enter B 8. tergeminus, threefold. The offices of ædile, prætor, consul, which formed the political decursus honorum at Rome. 10. Libya, the granary of Rome : cp. Sat. 11. iii. 17. 12. i. e. by unbounded wealth, Nunquam dimoveas, ut trabe Cypria Attalus III., king of Pergamus, left the kingdom by will to the Romans 133 B. C. Cp. Carm. II. xviii. 5. 14. Myrtoum, the sea S. of Eubœa. Plin. iv. 9. and 18. 15. Icarium mare," inter Samum clarion") tubæ gravis:" Schol. The et Myconum." Ibid. tuba was a straight trumpet: Ov. Met. i. 98. Africum, the S.W. wind: præceps, Carm. iii. 12.; creber procellis, Æn. 25. Sub Jove, in the open air. Sub divo, Carm. 111. ii. 5. Comp. Epod. xiii. 2. 29. Ivy, the poet's crown. Virg. Ecl. vii. 25; viii. 13., and Persius Prol. vi. 30, 31. Cp. Ep. 11. ii. 77. 34. Lesboum. So 1. xxvi. 11. ; m. represented as a judgment upon the crimes of the age (ver. 21.); appeal to Augustus finally to show himself the restorer of the Empire. xxx. 13., Æolium carmen, referring | lowed by an inundation of the Tiber, to Alcæus and Sappho as his great lyric models. Some suppose a reference to Terpander (also of Lesbos), to whom the special invention of the BápßITOs is assigned (in a fragment of Pindar, Scolia, v.). 36. Ov. Ex Ponto, 11. v. 57. ODE II. 2. rubente." His red right hand " Milton, P. L. ii. 174. 6. Seculum Pyrrhæ, the deluge of Deucalion. See Ov. Metam. i. 260. 7. Proteus, Ποσειδάωνος ὑποδμώς. Ad Cæsarem (Augustum C. in an Odyss. iv. 386. Pascit sub gurgite old inscription, the anachronism pro-phocas: Virg. Georg. iv. 395. bably of a copyist). See Chronol. 15. dejectum, the supine. Table, B. C. 27. monumenta 1. Jam satis. Great storms fol ... palace of Numa. Vestæ. The old Regia, or domus |