A Course of Lectures on Dramatic Art and LiteratureHogan & Thompson, 1833 - 442 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 41.
Strana xi
... Greeks . Their acting . Use of Masks . False comparison of ancient tragedy to the opera . Tragical lyric poetry . Essence of the Greek tragedies . Ideality of the representation . Idea of fate . Source of the pleasure derived from ...
... Greeks . Their acting . Use of Masks . False comparison of ancient tragedy to the opera . Tragical lyric poetry . Essence of the Greek tragedies . Ideality of the representation . Idea of fate . Source of the pleasure derived from ...
Strana 11
... tragedy ; for in come- dy , the form under which it appears in Plautus and ... drama , which strictly speaking , can neither be called tragedy nor comedy in the ... Greek and Roman , of the Italian and French , and of the English and Spa ...
... tragedy ; for in come- dy , the form under which it appears in Plautus and ... drama , which strictly speaking , can neither be called tragedy nor comedy in the ... Greek and Roman , of the Italian and French , and of the English and Spa ...
Strana 30
... Greek tragedy derived from mythology . -Comparison with the plastic art . WHEN We hear the word theatre , we naturally think of what with us bears the same name ; and yet nothing can be more dif- ferent from our theatre than the Grecian ...
... Greek tragedy derived from mythology . -Comparison with the plastic art . WHEN We hear the word theatre , we naturally think of what with us bears the same name ; and yet nothing can be more dif- ferent from our theatre than the Grecian ...
Strana 37
... Greek com- edy . Voltaire , however , is without excuse , as the mention of the cothurnus leaves no doubt that he alluded to tragic masks . But his error had probably no such learned origin . In most cases , it would be a fruitless task ...
... Greek com- edy . Voltaire , however , is without excuse , as the mention of the cothurnus leaves no doubt that he alluded to tragic masks . But his error had probably no such learned origin . In most cases , it would be a fruitless task ...
Strana 38
... tragic heroines . The forms of the masks , and the whole appearance of the tragic ... Greek language for every gradation of the age , and character of masks . See ... tragedy at least , would not be perceived from the elevation of the ...
... tragic heroines . The forms of the masks , and the whole appearance of the tragic ... Greek language for every gradation of the age , and character of masks . See ... tragedy at least , would not be perceived from the elevation of the ...
Iné vydania - Zobraziť všetky
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Úplné zobrazenie - 1871 |
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Úplné zobrazenie - 1846 |
A Course of Lectures on Dramatic Art and Literature, Zväzok 1 August Wilhelm von Schlegel Úplné zobrazenie - 1840 |
Časté výrazy a frázy
acquainted action admiration Agamemnon allowed altogether ancient appears Aristophanes Aristotle beauty Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra comic writers composition considered Corneille critics death degree dignity Dikaiopolis display dramatic art effect Electra elevation endeavours English entertainment Eschylus Eumenides Euripides everything exhibited expression favour feeling foreign French tragedy give Grecian Greek tragedy Greeks Hence heroes heroic honour human idea imagination imitation intrigue invention Italian Julius Cæsar labour language Lope de Vega manner masks means Menander merely Metastasio mind modern Molière moral nations nature never noble object observe old comedy Orestes original passion peculiar persons picture pieces Plautus players plays poet poetical poetry possess principles produce Racine representation resemblance respect Roman scene Shakspeare Shakspeare's Sophocles Spanish Spanish poetry species spectators spirit stage taste theatre theatrical things tion tone tragic true truth unity verse Voltaire whole
Populárne pasáže
Strana 351 - Piece out our imperfections with your thoughts ; Into a thousand parts divide one man, And make imaginary puissance ; Think, when we talk of horses, that you see them Printing their proud hoofs i...
Strana 280 - How absolute the knave is ! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken note of it ; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe. How long hast thou been a grave-maker? First Clo. Of all the days i' the year, I came to 't that day that our last king Hamlet overcame Fortinbras.
Strana 196 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Strana 321 - Say, there be ; Yet nature is made better by no mean, But nature makes that mean ; so, o'er that art Which, you say, adds to nature, is an art That nature makes.
Strana 299 - This fellow is wise enough to play the fool; And to do that well craves a kind of wit. 60 He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye. This is a practice As full of labour as a wise man's art.
Strana 292 - He paints, in a most inimitable manner, the gradual progress from the first origin ; " he gives," as Lessing says, "a living picture of all the most minute and secret artifices by which a feeling steals into our souls, of all the imperceptible advantages which it there gains, of all the stratagems by which every other passion is made subservient to it, till it becomes the sole tyrant of our desires and our aversions.
Strana 282 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Strana 296 - ... properties subsist in him peaceably together. The world of spirits and nature have laid all their treasures at his feet: in strength a demi-god, in profundity of view a prophet, in all-seeing wisdom a guardian spirit of a higher order, he lowers himself to mortals as if unconscious of his superiority, and is as open and unassuming as a child.
Strana 323 - By the manner in which he has handled it, it has become a glorious song of praise on that inexpressible feeling which ennobles the soul and gives to it its highest sublimity, and which elevates even the senses themselves into soul...
Strana 9 - Hence the poetry of the ancients was the poetry of enjoyment, and ours is that of desire : the former has its foundation in the scene which is present, while the latter hovers betwixt recollection and hope.