Counterbalance: Gendered Perspectives on Writing and LanguageCarolyn Logan Broadview Press, 15. 4. 1997 - 400 strán (strany) Like other composition readers, Counterbalance has as its primary purpose to improve thinking, reading and writing skills, recognizing throughout the degree to which these are inextricably interlinked. Where Counterbalance differs from almost all other composition readers is in the prominence it gives to writing by women. More and more of the writers in modern Western society are women and women now comprise a substantial majority of the students in many undergraduate courses. Yet most texts are eighty per cent or more comprised of writing by men. As its title suggests, this book acts as a counterbalance; over three-quarters of the essays are by women. The feminist stance of Counterbalance is unequivocal; an important aim of this text is to encourage students to question assumptions about gender. But for those to whom the word ‘feminist’ engenders immediate unease, it should be emphasised that the stance of the text is provocative and open-minded rather than strident or exclusionary; Audre Lorde and bell hooks are here, but so is George Orwell. The text is also designed as a counterbalance in other respects; many of the essays here explore issues of race, culture and class. Notions of correctness and issues of free speech and responsibility are also treated. As a whole the book is thus an invigorating and enormously wide-ranging spur to thought and discussion. Yet it avoids the scatter-gun approach so common to first-year collections; Counterbalance retains throughout a focus on language—perhaps the one area that all students, no matter what their backgrounds and interests, can connect to out of their everyday experience. The book’s thesis is that we can all think more clearly and use language more effectively if we know not only something about the traditional areas of composition and grammar but also something about how language influences us. The essays selected demonstrate a variety of expository styles, organizations and methods of development. They are organized into seven chapters so as to present a coherent progression, moving from simpler essays on more familiar topics to more difficult concepts and writing assignments. |
Obsah
Introduction | 3 |
An Illustration from the Classroom of Problems | 16 |
Men and Women Talking by Gloria Steinem | 22 |
Introduction | 37 |
Habit is Useful and Dangerous by Arlene Larson | 45 |
The Passive Voice or The Secret Agent by Rita Mae Brown | 53 |
Introduction | 79 |
Politics and the English Language by George Orwell | 86 |
Heard Any Good Jews Lately? by Thomas Friedmann | 258 |
La Güera by Cherrie Moraga | 269 |
The F Word by Catharine Stimpson | 278 |
Introduction | 285 |
Black Children Black Speech by Dorothy Seymour | 291 |
The Transformation of Silence into Language and Action | 298 |
The Linguistic Battlefield by Michael Callen | 308 |
Sex Class and Race IntersectionsVisions of Women | 314 |
Pronoun Envy by Alette Olin Hill | 116 |
Nuclear Language and How We Learned to Pat the Bomb | 124 |
Patriarchy Scientists and Nuclear Warriors by Brian Easlea | 157 |
Introduction | 179 |
Dictionaries by Howard R Webber | 193 |
Can We Decontaminate Sexist Language? | 212 |
Introduction | 231 |
The Language of Indian Derision by Haig A Bosmajian | 238 |
When the Words Open into Some Not Yet Open Space | 322 |
Introduction | 335 |
Revisioning Courses | 342 |
Poetry as Play | 359 |
116 | 373 |
157 | 381 |