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ON THE SUBLIME AND BEAUTIFUL.-PART III.
ON THE SUBLIME AND BEAUTIFUL.-PART IV.
THOUGHTS ON the Cause of the PresenNT DISCONTENTS
BEFORE the philosophical works of Lord BOLINGBROKE had appeared, great things were expected from the leisure of a man, who, from the splendid scene of action in which his talents had enabled him to make so conspicuous a figure, had retired to employ those talents in the investigation of truth. Philosophy began to congratulate herself upon such a pros lyte from the world of business, and hoped to have extendeu her power under the auspices of such a leader. In the midst of these pleasing expectations, the works themselves at last appeared in full body, and with great pomp. Those who searched in them for new discoveries in the mysteries of nature; those who expected something which might explain or direct the operations of the mind; those who hoped to see morality illustrated and enforced; those who looked for new helps to society and government; those who desired to see the characters and passions of mankind delineated; in short, all who consider such things as philosophy, and require some of them at least in every philosophical work, all these were certainly disappointed; they found the landmarks of science precisely in their former places: and they thought they received but a poor recompense for this disappointment, in seeing every mode of religion attacked in a lively manner, and the foundation of every virtue, and of all government, sapped with great art and much ingenuity. What advantage do we derive from such writings? What delight can a man find in employing a capacity which might be usefully exerted for the noblest purposes, in a sort of sullen labour, in which, if the author could succeed, he is obliged to own, that nothing could be more fatal to mankind than his success?
I cannot conceive how this sort of writers propose to com