The Principles of ArtThis treatise on aesthetics begins by showing that the word 'art' is used as a name not only for 'art proper' but also for certain things which are 'art falsely so called'. These are craft or skill, magic and amusement, each of which, by confusion with art proper, generates a false aesthetic theory. In the course of attacking these theories the author criticizes various psychological theories of art, offers a new theory of magic, and reinterprets Plato's so-called 'attack on art', showing that it has been entirely misunderstood. Finally, he draws important inferences concerning the position of art in human society. |
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Obsah
1 The Two Conditions of an Aesthetic Theory | 7 |
Systematic Ambiguity | 7 |
ART AND CRAFT | 15 |
ART AND REPRESENTATION | 42 |
ART AS MAGIC | 57 |
ART AS AMUSEMENT | 78 |
1 AS EXPRESSION | 105 |
3 Expression and Individualization III | 111 |
3 Impressions and Ideas | 202 |
4 Attention | 203 |
The Modification of Feeling by Consciousness | 206 |
6 Consciousness and Imagination | 211 |
7 Consciousness and Truth | 215 |
Summary | 221 |
LANGUAGE 1 Symbol and Expression | 225 |
2 Psychical Expression | 228 |
Selection and Aesthetic Emotion | 115 |
The Artist and the Ordinary Man | 117 |
The Curse of the Ivory Tower | 119 |
7 Expressing Emotion and Betraying Emotion | 121 |
2 AS IMAGINATION 1 The Problem Defined | 125 |
Making and Creating | 128 |
3 Creation and Imagination | 130 |
Imagination and Makebelieve | 135 |
The Work of Art as Imaginary Object | 139 |
6 The Total Imaginative Experience | 144 |
Transition to Book II | 151 |
THE THEORY OF IMAGINATION | 155 |
THINKING AND FEELING 1 The Two Contrasted I | 157 |
Feeling | 160 |
Thinking | 164 |
The Problem of Imagination | 168 |
SENSATION AND IMAGINATION 1 Terminology | 172 |
Descartes to Locke | 174 |
the Introspection Theory | 178 |
the Relation Theory | 179 |
Hume | 182 |
Kant | 186 |
7 Illusory Sensa | 188 |
Appearances and Images | 190 |
9 Conclusion | 192 |
IMAGINATION AND CONSCIOUSNESS 1 Imagination as Active | 195 |
The Traditional Confusion of Sense with Imagination | 198 |
3 Imaginative Expression | 234 |
Language and Languages | 241 |
5 Speaker and Hearer | 248 |
Language and Thought | 252 |
7 The Grammatical Analysis of Language | 254 |
The Logical Analysis of Language | 259 |
9 Language and Symbolism | 268 |
THE THEORY OF | 271 |
ART AS LANGUAGE 1 Skeleton of a Theory | 273 |
Art Proper and Art falsely so called | 275 |
3 Good Art and Bad Art | 280 |
ART AND TRUTH 1 Imagination and Truth | 286 |
Art as Theory and Art as Practice | 289 |
3 Art and Intellect | 292 |
THE ARTIST AND THE COMMUNITY 1 Externalization | 300 |
2 Painting and Seeing | 302 |
3 The Bodily Work of Art | 305 |
4 The Audience as Understander | 308 |
The Audience as Collaborator | 311 |
6 Aesthetic Individualism | 315 |
7 Collaboration between Artists | 318 |
Collaboration between Author and Performer | 320 |
The Artist and his Audience | 321 |
CONCLUSION | 325 |
| 337 | |
| 343 | |
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according activity actually aesthetic already amusement answer art proper artist attempt attention audience become begin belong bodily called certain chapter child colours comes complete concerned consciousness consists course craft created criticism described distinction distinguish effect elements emotion error example existence experience express fact false feeling function give given happen hearing idea imaginary imagination impression intellect kind language laws less living logical looking magic matter means merely mind nature never noises object organism original ourselves painting performers person philosophical picture play poet poetry possible practical present principle problem produce psychical question reader reason reference relation scientific sensa sense sensum simply situation sound speak speech stands talking theory things thought tion true truth trying understand unless whole writing
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Bibliografické informácie
| Názov | The Principles of Art A Galaxy book, GB11 Galaxy book – Zväzok 11 Oxford paperbacks – Zväzok 62 |
| Autor | Robin George Collingwood |
| Vydanie | dotlač |
| Vydavateľ | Oxford University Press, 1958 |
| Kód ISBN | 0195002091, 9780195002096 |
| Dĺžka | 347 strán (strany) |
| Exportovať citáciu | BiBTeX EndNote RefMan |