History of European Drama and TheatrePsychology Press, 2002 - 396 strán (strany) This major study reconstructs the vast history of European drama from Greek tragedy through to twentieth-century theatre, focusing on the subject of identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity. Erika Fischer-Lichte's topics include: * ancient Greek theatre Anyone interested in theatre throughout history and today will find this an invaluable source of information. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 83.
... body Between religious and secular culture : the religious play The vital body The frail and tortured body The end of the plays : the suppression of popular culture 2 THEATRUM VITAE HUMANAE ix 1 1 8 8 8 11 18 25 33 www 33 33 35 40 46 ...
... body as ' natural sign ' of the soul - the reception of the bürgerliche Trauerspiel and the development of a new art of acting 165 The mutilated individual 170 ' Nature ! Nature ! Nothing is so like Nature as Shakespeare's figures ...
... : the redeemed and redeeming body ' Men of new flesh ' 332 341 Notes Bibliography Index of dramatic works General index 352 361 372 376 Acknowledgements Every effort has been made to obtain permissions to vii CONTENTS.
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Obsah
Theatre and the polis | 8 |
The magic body | 33 |
Transformation and discovering identity from the rites of | 63 |
the end of the world | 70 |
The seducer the martyr and the fool theatrical | 80 |
Honour disgraced and the forfeit of mercy | 86 |
Popular theatre between religious and court theatre | 96 |
From the theatrical to social roleplay | 129 |
Middleclass Bildungstheater | 199 |
Identity and history | 230 |
The fatalism of history and the concrete utopia of physical nature | 238 |
The fall of the bourgeois myths | 244 |
The completion and end of the bourgeois theatre | 281 |
Beyond the individual | 298 |
The multiplicity of roles in the theatre of life or the multiple | 306 |
the new man in the theatre | 314 |
Theatre as a model of social reality | 136 |
THE RISE OF THE MIDDLE CLASSES AND | 146 |
The loving father and his virtuous daughter | 155 |
the seducer and the mistress | 161 |
The mutilated individual | 170 |
The selfcastration of creative nature | 176 |
Symbol of the species | 182 |
The transition from man into God | 190 |
Dismemberment and rebirth | 324 |
the redeemed and redeeming body | 332 |
Men of new flesh | 341 |
Notes | 352 |
361 | |
372 | |
378 | |