Charles Laughton: An Intimate BiographyDoubleday, 1976 - 239 strán (strany) |
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Strana 18
... Give me the grace and beauty of the beech ' ; I'll say to the beech , ' Give me the strength and stature of the pine . ' In a net , I'll catch but- terflies in bunches ; twist and mangle them between my fingers and fix them wriggling on ...
... Give me the grace and beauty of the beech ' ; I'll say to the beech , ' Give me the strength and stature of the pine . ' In a net , I'll catch but- terflies in bunches ; twist and mangle them between my fingers and fix them wriggling on ...
Strana 225
... give the character delicate am- biguities and shadings which would make Cooley believably hu- man . Otto Preminger , for all his outbursts of rage and his extravagant old - fashioned behavior on the set , came to appreciate what Charles ...
... give the character delicate am- biguities and shadings which would make Cooley believably hu- man . Otto Preminger , for all his outbursts of rage and his extravagant old - fashioned behavior on the set , came to appreciate what Charles ...
Strana 228
... give Charles a sense of reassurance . One night , leaving Frank and the night nurse to be with Charles , Elsa attended the Ballet Folklorico of Mexico . Frank seized the occasion to call in a priest and have Charles given extreme ...
... give Charles a sense of reassurance . One night , leaving Frank and the night nurse to be with Charles , Elsa attended the Ballet Folklorico of Mexico . Frank seized the occasion to call in a priest and have Charles given extreme ...
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accepted acting actor admired American appeared asked audience beauty became become began body Brecht brought called Carole Lombard cast character Charles Charles's close continued decided deeply despite directed director discussing dressed early Elsa England enjoyed entire eyes face fact famous feeling felt film finally force gave give Gregory hand head Henry Hollywood Hotel human John kind knew Korda later Laughton Lear lines living London look managed moved needed never night offered once opened paintings Paul performance picture play prepared production reading rehearsals returned Robert role scene script seen sequence Shaw shooting speech spirit stage standing star story success suggested talking theatre told took tour turned voice walk wanted weeks wife wrote York young