Charles Laughton: An Intimate BiographyDoubleday, 1976 - 239 strán (strany) |
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... human behav- ior a little more than most people . Certainly as an actor . But then , also , as an actor Charles never felt like a complete or even a real person . If someone had said , " Will the real Mr. Laughton stand up ? " he ...
... human behav- ior a little more than most people . Certainly as an actor . But then , also , as an actor Charles never felt like a complete or even a real person . If someone had said , " Will the real Mr. Laughton stand up ? " he ...
Strana 92
... human and alive and touching . All through the shooting , Charles acted as a father to her - much more so than Hitchcock , who treated her rather coolly and seemed to be far more interested in the mechanics of the scenes , or Pommer ...
... human and alive and touching . All through the shooting , Charles acted as a father to her - much more so than Hitchcock , who treated her rather coolly and seemed to be far more interested in the mechanics of the scenes , or Pommer ...
Strana 212
... human company , his desolation on the heath and in the storm , clears his reason and makes him feel compassion for suffering humanity . When he addresses the Fool in Act Three , Scene Two with the words , " How doth , my boy ? Art cold ...
... human company , his desolation on the heath and in the storm , clears his reason and makes him feel compassion for suffering humanity . When he addresses the Fool in Act Three , Scene Two with the words , " How doth , my boy ? Art cold ...
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accepted acting actor admired American appeared asked audience beauty became become began body Brecht brought called Carole Lombard cast character Charles Charles's close continued decided deeply despite directed director discussing dressed early Elsa England enjoyed entire eyes face fact famous feeling felt film finally force gave give Gregory hand head Henry Hollywood Hotel human John kind knew Korda later Laughton Lear lines living London look managed moved needed never night offered once opened paintings Paul performance picture play prepared production reading rehearsals returned Robert role scene script seen sequence Shaw shooting speech spirit stage standing star story success suggested talking theatre told took tour turned voice walk wanted weeks wife wrote York young