Charles Laughton: An Intimate BiographyDoubleday, 1976 - 239 strán (strany) |
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Strana x
... never wanted to buy the same object . They never clashed - the dancing eye and the static eye . Every object that attracted Charles was part of a pat- tern , and the whole effect of his collection was one of unity and one - ness . I ...
... never wanted to buy the same object . They never clashed - the dancing eye and the static eye . Every object that attracted Charles was part of a pat- tern , and the whole effect of his collection was one of unity and one - ness . I ...
Strana 92
... never work on the screen . He made her realize that the essence of screen acting was feeling deeply , being completely sincere and straightforward , and having a sense of total conviction at all times . Though she never became a major ...
... never work on the screen . He made her realize that the essence of screen acting was feeling deeply , being completely sincere and straightforward , and having a sense of total conviction at all times . Though she never became a major ...
Strana 216
... Never . . . never . " " Zoë Caldwell , who played Cordelia , remembered Charles years later : I was romantically involved with Albert Finney , who played Edgar , and I think Charles disapproved of this . He was a very talented child ...
... Never . . . never . " " Zoë Caldwell , who played Cordelia , remembered Charles years later : I was romantically involved with Albert Finney , who played Edgar , and I think Charles disapproved of this . He was a very talented child ...
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accepted acting actor admired American appeared asked audience beauty became become began body Brecht brought called Carole Lombard cast character Charles Charles's close continued decided deeply despite directed director discussing dressed early Elsa England enjoyed entire eyes face fact famous feeling felt film finally force gave give Gregory hand head Henry Hollywood Hotel human John kind knew Korda later Laughton Lear lines living London look managed moved needed never night offered once opened paintings Paul performance picture play prepared production reading rehearsals returned Robert role scene script seen sequence Shaw shooting speech spirit stage standing star story success suggested talking theatre told took tour turned voice walk wanted weeks wife wrote York young