Charles Laughton: An Intimate BiographyDoubleday, 1976 - 239 strán (strany) |
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Strana 70
... voice . He was aggravated by the fact that she had to have her lines written on her large white Flemish cuffs and on the backs of chairs ; she would go from one piece of furniture to another to read her dialogue . Her voice was ...
... voice . He was aggravated by the fact that she had to have her lines written on her large white Flemish cuffs and on the backs of chairs ; she would go from one piece of furniture to another to read her dialogue . Her voice was ...
Strana 158
... voice of lazy , heavy , over- powering self - indulgence , and the enemy of reason . Doña Ana , who once loved Juan , is the voice of propriety , of rectitude ; her fa- ther , the Statue , is an old military commander , the voice of ...
... voice of lazy , heavy , over- powering self - indulgence , and the enemy of reason . Doña Ana , who once loved Juan , is the voice of propriety , of rectitude ; her fa- ther , the Statue , is an old military commander , the voice of ...
Strana 225
... voice coach Ben Bard as well as his research assistant for his an- thology , The Fabulous Country , Bruce Zortman , he finally licked the problem . Shooting began in Washington in September and continued for six weeks , with three weeks ...
... voice coach Ben Bard as well as his research assistant for his an- thology , The Fabulous Country , Bruce Zortman , he finally licked the problem . Shooting began in Washington in September and continued for six weeks , with three weeks ...
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accepted acting actor admired American appeared asked audience beauty became become began body Brecht brought called Carole Lombard cast character Charles Charles's close continued decided deeply despite directed director discussing dressed early Elsa England enjoyed entire eyes face fact famous feeling felt film finally force gave give Gregory hand head Henry Hollywood Hotel human John kind knew Korda later Laughton Lear lines living London look managed moved needed never night offered once opened paintings Paul performance picture play prepared production reading rehearsals returned Robert role scene script seen sequence Shaw shooting speech spirit stage standing star story success suggested talking theatre told took tour turned voice walk wanted weeks wife wrote York young