The Emergence of RomanticismOxford University Press, 18. 5. 1995 - 128 strán (strany) Although primarily known as an eminent historian of Russia, Nicholas Riasanovsky has been a longtime student of European Romanticism. In this book, Riasanovsky offers a refreshing and appealing new interpretation of Romanticism's goals and influence. He searches for the origins of the dazzling vision that made the great early Romantic poets in England and Germany--Wordsworth, Coleridge, Novalis, and Friedrich Schlegel--look at the world in a new way. He stresses that Romanticism was produced only by Western Christian civilization, with its unique view of humankind's relationship to God. The Romantic's frantic and heroic striving after unreachable goals mirrors Christian beliefs in human inability to adequately address God, speak to God, or praise God. Further, Riasanovsky argues that Romantic thought had important political implications, playing a key role in the rise of nationalism in Europe. Offering a historical examination of an area often limited to literary analysis, this book gracefully makes a larger historical statement about the nature and centrality of European Romanticism. |
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Strana 3
... in the Russian 1. Cambridge , Mass . , 1952 ; German edn . , Munich , 1954 . 2. The Image of Peter the Great in Russian History and Thought ( New York , 1985 ) . Enlightenment , 1700-1826 , " " The Image of Peter 3 Introduction.
... in the Russian 1. Cambridge , Mass . , 1952 ; German edn . , Munich , 1954 . 2. The Image of Peter the Great in Russian History and Thought ( New York , 1985 ) . Enlightenment , 1700-1826 , " " The Image of Peter 3 Introduction.
Strana 16
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Strana 19
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Obsah
3 | |
1 The Emergence of Romanticism in England | 7 |
2 The Emergence of Romanticism in Germany | 41 |
3 Some Observations on the Emergence of Romanticism | 69 |
Works Cited | 103 |
Index | 111 |
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Časté výrazy a frázy
Ancient Mariner artistic August Wilhelm Schlegel Bateson became central Christian clouds Coleridge's concept creative critic death divine doctrine Early German Romanticism early romanticism Emergence of Romanticism English Essay eternal experience F. W. Bateson Forstman French Revolution Friedrich Schlegel Frühromantik German Romanticism Heinrich Herzensergiessungen human Ibid ideal important infinite intellectual italics in original Jonathan Wordsworth Khomiakov Kubla Khan language literary literature live London Lucinde Lyrical Ballads M. H. Abrams major McFarland mind nature night Novalis novel Novices of Sais original romantic vision Oxford pantheism or panentheism Paul Kluckhohn perhaps Poems poet poet's poetic poetry Polnoe sobranie sochinenii Prelude Princeton quoted religion religious remarkable Rime romantic ideology romanticists Russian Metaphysical Samuel Taylor Coleridge Schlegel's Lucinde Schleiermacher sense Slavophiles spirit thou thought ticism Tieck tion Tiutchev trans unity universe Wackenroder Wackenroder's Wilhelm Heinrich Wackenroder William Wordsworth Words Wordsworth and Coleridge Wordsworthian writing wrote York
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Strana 25 - Singing of Mount Abora. Could I revive within me Her symphony and song, To such a deep delight 'twould win me That with music loud and long, I would build that dome in air, That sunny dome ! those caves of ice I And all who heard should see them there, And all should cry,
Strana 13 - The innocent brightness of a new-born Day Is lovely yet; The Clouds that gather round the setting sun Do take a sober coloring from an eye That hath kept watch o'er man's mortality; Another race hath been, and other palms are won.
Strana 22 - Ye ice-falls ! ye that from the mountain's brow Adown enormous ravines slope amain — Torrents, methinks, that heard a mighty voice, And stopped at once amid their maddest plunge ! Motionless torrents ! silent cataracts ! Who made you glorious as the gates of Heaven Beneath the keen full moon ? Who bade the sun Clothe you with rainbows ? Who, with living flowers Of loveliest blue, spread garlands at your feet 1 — God ! let the torrents, like a shout of nations, Answer ! and let the ice-plains...
Strana 22 - Risest from forth thy silent sea of pines, How silently ! Around thee and above, Deep is the air and dark, substantial, black, An ebon mass : methinks thou piercest it, As with a wedge ! But when I look again, It is thine own calm home, thy crystal shrine, Thy habitation from eternity ! 0 dread and silent mount ! I gazed upon thee, Till thou, still present to the bodily sense, Didst vanish from my thought : entranced in prayer, I worshipped the Invisible alone.
Strana 8 - Nor less I deem that there are Powers Which of themselves our minds impress; That we can feed this mind of ours In a wise passiveness.
Strana 27 - Is it he? quoth one, 'Is this the man? By Him who died on cross, With his cruel bow he laid full low The harmless Albatross! 'The Spirit who bideth by himself In the land of mist and snow, He loved the bird that loved the man Who shot him with his bow.
Strana 23 - Thou too, hoar Mount! with thy sky-pointing peaks, Oft from whose feet the avalanche, unheard, Shoots downward, glittering through the pure serene Into the depth of clouds, that veil thy breast— Thou too again, stupendous Mountain!
Strana 24 - Sometimes a-dropping from the sky I heard the sky-lark sing; Sometimes all little birds that are, How they seemed to fill the sea and air With their sweet jargoning!
Strana 23 - Beyond the shadow of the ship, I watched the water-snakes: They moved in tracks of shining white, And when they reared, the elfish light Fell off in hoary flakes.
Strana 13 - Hence in a season of calm weather, Though inland far we be, Our Souls have sight of that immortal sea Which brought us hither, Can in a moment travel thither, And see the Children sport upon the shore, And hear the mighty waters rolling evermore...