PREFACE. THIS book is not a History of English Literature. It aims rather to serve as a guide to the acquirement of a practical acquaintanceship with all that is the best and the most worthy in our literature. The chronological arrangement, usually adopted in books upon this subject, has been in most part abandoned for the more natural arrangement by which works of a similar kind are grouped and studied together and compared with each other. This, in the author's judgment, is the only true method of study. To those who may find fault with his classification, he will only say that he has chosen that arrangement which he considers the most convenient for giving aid and information to those in search of a certain kind of knowledge. One man may call a particular poem a Romance, another may call it an Epic; but it matters not so much what we call it as how and in what connection we present it to the attention of the reader or student. No apology is offered for the large number of quotations and extracts which are made from the leading English critics. The brief presentation of the opinions of so many of our best writers on so great a variety of literary productions is a feature of the work which it is believed will be found of special interest and value. The name of the critic quoted is usually given in connection with the quotation, and in all cases it may be found in the Index of Criticisms at the end of the volume. The list of References appended to each chapter will direct the student to the best works To those who prefer to study all the works of an author In his choice of illustrative quotations, the author has CONTENTS. The Anglo-Saxon Language-The First Literature-Beowulf-Battle of Finnesburgh-Battle of Brunanburh-An Old Scandinavian Poem -Ragnar Lodbrok-Religious Poetry-Cadmon-Cadmon and Mil- Changes in the Anglo-Saxon Language-The Normans-The French Language in England-Formation of the English Language-The Abbey of Cokaygne-The First English Love-Song-Rhyme and Metre Sing Cuccu-Metrical Version of the Psalms-Geoffrey of Monmouth-Wace-Layamon's Brut-Robert of Gloucester's Chroni- cle-Robert of Brunne-The Ormulum-Lives of the Saints-Hand- lynge of Synne-Hampole's Pricke of Conscience-Vision of Piers the Round Table-Walter Map-The Romance of Arthur-Numerous Early Versions-Arthur in Spenser's Faerie Queene-Milton, Dryden, Blackmore, Lord Lytton-Tennyson's Idylls of the King-The Liter- ary Revolution of the Eighteenth Century-Scott's Lay of the Last Minstrel-Marmion-The Lady of the Lake-The Lord of the Isles -Lord Byron-The Giaour-The Corsair-The Bride of Abydos— Geoffrey Chaucer-The Canterbury Tales-The Knight's Tale-The Clerk's Tale, etc.-Criticisms on Chaucer-Difficulties in Reading Chaucer-No Story-Telling Poetry in the Sixteenth and Seventeenth Centuries-Scott's Shorter Narrative Poems-Rokeby-Bridal of Triermain-Harold the Dauntless-Byron-Mazeppa-The Prisoner of Chillon-George Crabbe-Phebe Dawson-Strolling Players— William Wordsworth-The White Doe of Rylstone-Peter Bell— Samuel Taylor Coleridge-The Ancient Mariner-Christabel-Southey -Leigh Hunt's Story of Rimini-Keats-Eve of St. Agnes-Isabella -Thomas Campbell-Walter Savage Landor-Mrs. Hemans-Mrs. Browning-Lady Geraldine's Courtship-Tennyson-The Princess Maud-Enoch Arden-Aylmer's Field-William Morris-Earthly Definitions-Anglo-Saxon Allegories-The Vision of Piers Plowman- Roman de la Rose-Chaucer's Romaunt of the Rose-The Court of Love-The Cuckow and the Nightingale-The Parlament of Foules -The Flower and the Leaf-The Book of the Duchess, and Chaucer's Dream-The House of Fame-William Dunbar's The Thistle and the Rose-The Golden Terge-Dance of the Deadly Sins-Stephen Hawes Grand Amour and la Bel Pucell-Sackville's Introduction to the Mirror for Magistrates-Edmund Spenser-The Faerie Queene— John Bunyan-The Pilgrim's Progress-Phineas Fletcher's Purple Island-Thomson's Castle of Indolence-Tennyson's Vision of Sin- Abou ben Adhem-Lowell's Vision of Sir Launfal-Other Short Alle- gories-Fables: Gay's Fables-Burns's Twa Dogs and The Brigs of |