Still in Movement: Shakespeare on ScreenOxford University Press, 1991 - 171 strán (strany) In Still in Movement, Buchman explores the ways in which Shakespeare's plays function as products of cinematic technique and the ways in which the films organize the material of the drama to activate a particular imaginative response. To that end, he focuses on key moments in the films of Laurence Olivier (Henry V, Hamlet, and Richard III), Orson Welles (Macbeth, Othello, and Chimes at Midnight), Grigory Kozintav (Hamlet and King Lear), Roman Polanski (Macbeth) and Peter Brook (King Lear). He examines how these films clarify the process according to spatial and temporal structures of the medium. Buchman's approach is unique in the area of Shakespeare on film; he covers specific topics and addresses questions pertinent to those topics not through individual essays on any one film, play, or filmmaker, but through a comparative treatment of key sequences from a number of different films. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 83.
Strana 56
... space of their misery . Indeed , the “ space of tragedy " in Kozintsev's film is the space of affliction , a space that the camera reveals confined and crammed with humanity , a space that the spectator enters with the aid of the camera ...
... space of their misery . Indeed , the “ space of tragedy " in Kozintsev's film is the space of affliction , a space that the camera reveals confined and crammed with humanity , a space that the spectator enters with the aid of the camera ...
Strana 88
... space . With a dissolve , Olivier takes us , “ in motion of no less celerity / Than of thought " out of the Globe and into the self - consciously illusionistic space of phase two . What Olivier offers with the three - dimensional ship ...
... space . With a dissolve , Olivier takes us , “ in motion of no less celerity / Than of thought " out of the Globe and into the self - consciously illusionistic space of phase two . What Olivier offers with the three - dimensional ship ...
Strana 106
... space , a space that defamiliarizes the filmic space of the previous shots and thus shocks us into an awareness of the medium operating . In the play , Shakespeare comments on the nature of the theater by creating a moment in the drama ...
... space , a space that defamiliarizes the filmic space of the previous shots and thus shocks us into an awareness of the medium operating . In the play , Shakespeare comments on the nature of the theater by creating a moment in the drama ...
Obsah
Through the Machine | 3 |
Patterns of Viewing in Cinematic Space | 12 |
Dynamics of Miseenscène | 33 |
Autorské práva | |
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Časté výrazy a frázy
action activity alienation appear audience battle becomes begins Brook calls camera castle chapter character cinematic close close-up context continues contrast create critical cuts Desdemona direct director drama dynamic elements enters experience exposes expression face Falstaff figure film filmic filmmaker finally focus follows forces function Ghost gives Hamlet hand hear Henry hero human Iago imaginative inside isolate King King Lear Kozintsev Lear Lear's look Macbeth medium mind moment moments move movement multiple murder nature observe offers Olivier Olivier's opening operates Orson Othello performance perspective picture play political present production realize relationship Richard scene screen sense sequence shadow Shakespeare shot shows simultaneous soliloquy sound space spatial field speaks specific spectator speech stage stand storm subjective suggests takes technique temporal tension theater theatrical tion tragedy University Press visual voice-over Welles's witness York