Shakespearean Criticism YearbookMichele Lee Gale Research International, Limited, 1998 - 420 strán (strany) Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 65.
Strana 126
... begin straightaway with the deposi- tion , but rather , crucially , by reopening the Gloucester case . As I mentioned ... begins , in other words , by rehearsing ( though not freely ) the testimony in the prosecution of Gloucester's ...
... begin straightaway with the deposi- tion , but rather , crucially , by reopening the Gloucester case . As I mentioned ... begins , in other words , by rehearsing ( though not freely ) the testimony in the prosecution of Gloucester's ...
Strana 192
... begin . The mother , in contrast to the nonhuman environment , reflects back to the child a configuration of its own ... begins by side- stepping Hamlet's paralyzing quandary about the un- bridgeable difference between seeming and being ...
... begin . The mother , in contrast to the nonhuman environment , reflects back to the child a configuration of its own ... begins by side- stepping Hamlet's paralyzing quandary about the un- bridgeable difference between seeming and being ...
Strana 203
... begins not with Othello but with Iago . Other tragedies begin with ancillary figures comment- ing on the character who will turn out to be at the center of the tragedy — one thinks of Lear , Macbeth , Antony and Cleopatra — but no other ...
... begins not with Othello but with Iago . Other tragedies begin with ancillary figures comment- ing on the character who will turn out to be at the center of the tragedy — one thinks of Lear , Macbeth , Antony and Cleopatra — but no other ...
Obsah
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
Shakespearean Criticism: Excerpts from the Criticism of William ..., Zväzok 28 Zobrazenie úryvkov - 1984 |
Časté výrazy a frázy
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York