Shakespeare's Theatre: A Dictionary of His Stage ContextBloomsbury Academic, 2002 - 570 strán (strany) Shakespeare's Theatre consolidates the author's forty years of experience in studying and staging Shakespeare's plays. Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins. Coverage includes the practices of Elizabethan actors and script writers: methods of characterization; gesture, blocking and choreography, including music, dance and fighting; actors' rhetorical interaction with audiences; and use of costumes, stage props, and make-up. The author makes use of scripts and scholarship about original stagings of Shakespeare and suggests how those productions related to modern staging. Much of this material has developed as a result of the recent increased interest in the significance of performance for interpreting Shakespeare, including the recovery of the archaeological evidence about the original Rose and Globe Theaters. The book contains current bibliographies for each topic and consolidates these in an overall bibliography for Shakespeare and his theaters. |
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Strana 135
... followed , although one wonders if the actors ever took the oppor- tunity to comment in their jig on the plot of the play just seen by the audience , or the relationships of the characters in it . ' Certainly a stately court dance would ...
... followed , although one wonders if the actors ever took the oppor- tunity to comment in their jig on the plot of the play just seen by the audience , or the relationships of the characters in it . ' Certainly a stately court dance would ...
Strana 398
... followed the pattern effectively in his Titus , later diversifying it with his black humour while preserving typical features , in Richard III . Shakespeare's Hamlet transcended the genre while keeping many of its exciting motifs ...
... followed the pattern effectively in his Titus , later diversifying it with his black humour while preserving typical features , in Richard III . Shakespeare's Hamlet transcended the genre while keeping many of its exciting motifs ...
Strana 453
... followed Plautus in imitating the Greek comedies of Menander , but with little farce , subtler characterization and more serious feeling , leading towards Shake- speare's brand of romantic comedy , in which love intrigues are central ...
... followed Plautus in imitating the Greek comedies of Menander , but with little farce , subtler characterization and more serious feeling , leading towards Shake- speare's brand of romantic comedy , in which love intrigues are central ...
Obsah
AZ | 5 |
Academe | 8 |
Actors Listed in the First Folio | 18 |
Autorské práva | |
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Admiral's Men Alan allusions Andrew Gurr Antony appears audience boy actors Burbage Caesar characters classical Comedy contemporary costumes court Cymbeline dance Dictionary of Stage disguise dramatist Dream Duke E. K. Chambers Earl edition effects Elizabeth Elizabethan stage Elizabethan theatre England English Renaissance entry Falstaff figures Folio fools gallery Globe Playhouse Globe Theatre Hamlet Henry IV Henry VI Henry VIII Henslowe's history plays illustrated imagery indicates Italian John Jonson Katherine King King's King's Men Kinsmen Lady later Lear London Lord Love's Labour's Macbeth marriage medieval Merry Wives modern on-stage Othello Oxford performance Pericles Prince professional Puritans quarto Queen Renaissance Drama rhetorical Richard Burbage Richard III Richard of Gloucester Richmond roles Romeo scenes sexual Shake Shakespeare's company Shakespeare's plays Shrew significant Sonnets speare's Stage Directions studies Tempest texts theatrical Thomas thou traditional tragedy Troilus Tudor Twelfth Night University Press verse Winter's Tale women word
Odkazy na túto knihu
Shakespeare and Cognition: Aristotle's Legacy and Shakespearean Drama Arthur F. Kinney Obmedzený náhľad - 2006 |