Shakespeare's Theatre: A Dictionary of His Stage ContextBloomsbury Academic, 2002 - 570 strán (strany) Shakespeare's Theatre consolidates the author's forty years of experience in studying and staging Shakespeare's plays. Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins. Coverage includes the practices of Elizabethan actors and script writers: methods of characterization; gesture, blocking and choreography, including music, dance and fighting; actors' rhetorical interaction with audiences; and use of costumes, stage props, and make-up. The author makes use of scripts and scholarship about original stagings of Shakespeare and suggests how those productions related to modern staging. Much of this material has developed as a result of the recent increased interest in the significance of performance for interpreting Shakespeare, including the recovery of the archaeological evidence about the original Rose and Globe Theaters. The book contains current bibliographies for each topic and consolidates these in an overall bibliography for Shakespeare and his theaters. |
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Strana 135
... performance of his plays on the Elizabethan stage was regarded as complete without a dance , and many , such as Much ... performance Platter says , ' At the end they gave an admirable performance of both English and Irish dances . ' In ...
... performance of his plays on the Elizabethan stage was regarded as complete without a dance , and many , such as Much ... performance Platter says , ' At the end they gave an admirable performance of both English and Irish dances . ' In ...
Strana 272
... performance purposes . The list of specifications for letters in Alan Dessen , A Dictionary of Stage Directions , indicates that this is indeed ' a widely used prop and stage device ' in the plotting and characterization of Renaissance ...
... performance purposes . The list of specifications for letters in Alan Dessen , A Dictionary of Stage Directions , indicates that this is indeed ' a widely used prop and stage device ' in the plotting and characterization of Renaissance ...
Strana 395
... performance to publication , with the further possibility of revisions to suit specific performance requirements . Each stage of develop- ment has its own characteristics and values . A first complete authorial draft ( or ' foul papers ...
... performance to publication , with the further possibility of revisions to suit specific performance requirements . Each stage of develop- ment has its own characteristics and values . A first complete authorial draft ( or ' foul papers ...
Obsah
AZ | 5 |
Academe | 8 |
Actors Listed in the First Folio | 18 |
Autorské práva | |
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Admiral's Men Alan allusions Andrew Gurr Antony appears audience boy actors Burbage Caesar characters classical Comedy contemporary costumes court Cymbeline dance Dictionary of Stage disguise dramatist Dream Duke E. K. Chambers Earl edition effects Elizabeth Elizabethan stage Elizabethan theatre England English Renaissance entry Falstaff figures Folio fools gallery Globe Playhouse Globe Theatre Hamlet Henry IV Henry VI Henry VIII Henslowe's history plays illustrated imagery indicates Italian John Jonson Katherine King King's King's Men Kinsmen Lady later Lear London Lord Love's Labour's Macbeth marriage medieval Merry Wives modern on-stage Othello Oxford performance Pericles Prince professional Puritans quarto Queen Renaissance Drama rhetorical Richard Burbage Richard III Richard of Gloucester Richmond roles Romeo scenes sexual Shake Shakespeare's company Shakespeare's plays Shrew significant Sonnets speare's Stage Directions studies Tempest texts theatrical Thomas thou traditional tragedy Troilus Tudor Twelfth Night University Press verse Winter's Tale women word
Odkazy na túto knihu
Shakespeare and Cognition: Aristotle's Legacy and Shakespearean Drama Arthur F. Kinney Obmedzený náhľad - 2006 |