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Mazarine, (Cardinal) his behaviour to Quillet, who
had reflected upon him in a poem, N. 23.00品

Merchants of great benefit to the public, N. 69.
Mixt wit defcribed, N. 62.

Mixt communion of men and spirits in Paradise, as
-described by Milton, N. 12.
Mode, on what it ought to be built, N. 6.
Modesty the chief ornament of the Fair Sex, N. 6.
Moliere made an old woman judge of his plays,
N. 70.51

Monuments in Westminster-Abbey examined by the
Spectator, N. 26.

Mourning, the method of it confidered, N. 64.
Who the greatest mourners, ibid.
Music banished by Plato out of tis commonwealth,
N. 18. Of a relative nature, 29.

Neighbourhoods, of whom confifting, N. 49.
Newberry, (Mr.) his Rebus, N. 59.

New-River, a project of bringing it into the play-
house, N. 5.

Nicolini, (Seignior) his voyage on pasteboard, N. 5.
His combat with a lion, 13. Why thought to be
a sham one, ibid. An excellent actor, ibid.

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Ates (Dr.) a favourite with some party Ladies,

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Ogler, the complete ogler, N. 46.
Old maids generally superftitious. N. 7.
Old Testament in a periwig, N. 58.

Opera, as it is the prefent entertainment of the
English stage, confidered, N. 5. The progress it
2 has made on our theatre, 18. Some account of
the French opera, 29.

Otway commended and cenfured, N. 39.
Overdo, a justice at Epping, offended at the com-
pany of strolers for playing the part of Clod-
pate, and making a mockery of one of the Quo-
rum,

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Oxford scholar, his great discovery, in a coffee-
house, N. 46.sogo elegid goqu DaboBox bed

PAinter and Taylor often contribute more than
the poet to the success of a tragedy, N. 42.
Parents, their taking a liking to a particular pro-
feffion often, occasions their fons to miscarry,
N.21.Anh

: Parties crept much into the conversation of the La-
dies, N. 57. Party-zeal very bad for the face, ib.
Particles, English, the honour done to them in the
late operas, N. 18.

Paffions, the conquest of them a difficult task,
Ν. 71.

Peace, fome ill consequences of it, N. 45.adb
Peepers defcribed, N. 53. 02/1

Pharamond, memoirs of his private life, N. 76. His
great wisdom, ibid. mo.
Philautia, a great votary, N. 79.
Philofophy, the use of it, N. 7. faid to be brought
by Socrates down from heaven, 10.
Physician and Surgeon, their different employ-
ment, N. 16. The Physicians a formidable bo-
dy of men, 21. Compared to the British army.in
Cæfar's time, ibid. Their way of converting one
distemper into another, 25.0288

Picts, what women so called, N. 41. No faith to
be kept with them, ibid.

Pinkethman to perfonate King Porus on an elephant,
Ν. 31.

Players in Drury-Lane, their intended regulations,
N. 36. Poems in picture, N. 58.

Poet, (English) reproved, N. 39, 40. their artifices,

44.

Poeteffes (English) wherein remarkable, N. 51.
Powel (fenior) to act Alexander the Great on a
dromedary, N. 31. His artifice to raise a clap,
Ν. 40. το οπο

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Powel (junior) his great skill in motions, N. 14.

His performance referred to the opera of Rinal-
do and Armida, ibid.

Praise, the love of it implanted in us, N. 38.
Pride a great enemy to a fine face, N. 33.
Profeffions, the three great ones over-burdened
with practitioners, N. 21.
Projector, a short defcription of one, N. 31.
Profper (Will) an honest tale-bearer, N. 1.9.
Punchinello, frequented more than the church,
N. 14. Punch out in the moral part, ibid.
Punning much recommended by the practice of all
ages, N. 61. In what age the Pun chiefly flour-
ished, ibid. A famous university much infefsted
with it, ibid. Why banished at present out of
the learned world, ibid. The definition of a Pun,
ibid.

Uality no exemption from reproof, N. 34.
Quixote (Don) patron of the Sighers club,

Q

N. 30.

R Ants confidered

gedies, N. 40.

R

as blemishes in our English tra-

Rape of Proferpine, a French opera, some particu-
lars in it, N. 29.

Reason, instead of governing paffion is often fub-
fervient to it, N. 6.

Rebus, a kind of false wit in vogue among the an-
cients, N. 59. and our own countrymen, ibid.
A Rebus at Blenheim-Houfe condemned, ibid.
Recitativo, (Italian) not agreeable to an English
audience, N. 29. Recitative music in every lan-
guage ought to be adapted to the accent of the
language, ibid.

Retirement, the pleasure of it, where truly enjoy-

ed, N. 4.

Rich (Mr.) would not fuffer the opera of Whitting-
ton's Gat to be performed in his house, and the
reafon for it, N. 5.

VOL. I.

+ Ii

Royal

Royal Exchange, the great refort to it, N. 69.
S

Almon (Mrs.) her ingenuity, N. 28.
Sanctorius, his invention, N. 25.
Scholar's egg, what fo called, N. 58.
Sempronia, a professed admirer of the French na-
tion, N. 45.

Senfe: fome men of fenfe more defpicable than
common beggars, N. 6.

Sentry (Captain) a member of the Spectator's club,
his character, N. 2.

Sextus Quintus, the Pope, an instance of his un-
forgiving temper, N. 23.

Shadows and realities not mixed in the fame piece,
Ν. 5.

Shovel, (Sir Cloudesly) the ill contrivance of his mo-
nument in Westminster-Abbey, N. 26.

Sidney (Sir Philip) his opinion of the fong of Chevy-
Chafe, N. 70.

Sighers, a club of them in Oxford, N. 30. Their
regulations, ibid.

Sign-posts, the abfurdities of many of them, N. 28.
Socrates, his temper and prudence, N. 23.
Solitude; an exemption from paffions, the only
pleasing folitude, N. 4.

Sophocles, his conduct in his tragedy of Electra,
Ν. 44.

Sparrows bought for the use of the opera, N. 5.
Spartan virtue acknowledged by the Athenians,
Ν. 6.

His

Spectator (the) his prefatory difcourse, N. 1.
great taciturnity, ibid. His vision of Publick Cre-
dit, 3. His entertainment at the table of an ac-
quaintance, 7. His recommendation of his fpe-
culations, 10. Advertised in the Daily Courant,
12. His encounter with a lion behind the scenes,
13. "The defign of his writings, 16. No party-
man, ibid. A little unhappy in the mold of his
face, 17. His artifice, 19. His defire to correct
impudence,
impudence, 20. And refolution to march on in
the cause of virtue, 34. His visit to a travelled
Lady, 45. His fpeculations in the first princi-
ples, 46. An odd accident that befel him at
Lloyd's coffee-house, ibid. His advice to our Eng-
lifb Pandaric writers, 58. His examen of Sir
Fopling Flutter, 65.

Spleen, a common excuse for dulness, N. 53.
Starers reproved, N. 20.

Statira, in what proposed as a pattern to the Fair
Sex, N. 41.

Superstition, the folly of it described, N. 7.
Susanna, or innocence betrayed, to be exhibited by
Mr. Powell, with a new pair of elders, N. 14.

T

Emplar, one of the Spectator's club, his charac-
ter, N. 2.

That, his remonstrance, N. 80.
Theatre (English) the practice of it in several in-
stances cenfured, N. 42, 44, 51.
Thunder, of great use on the stage, N. 44.
Thunderer to the playhouse, the great hardships
put upon him, and his defire to be made a can-
non, N. 36.

Tom Tits to perfonate finging birds in the opera, N. ζ.
Tom the tyrant, first minifter of the coffee-house,
between the hours of elven and twelve at night,
Ν. 49.

Tombs in Westminster visited by the Spectator, N. 26.
his reflection upon it, ibid.
Trade, the benefit of it to Great Britain, N. 69.
Tragedy; a perfect Tragedy the noblest production
of human nature, N. 39. Wherein the modera
tragedy excels that of Greece and Rome, ibid.
Blank verse the most proper for an English tra-
gedy, ibid. 'The English tragedy confidered, ibid.
Tragi-Comedy, the product of the English theatre,
a monstrous invention, N. 40.

Travel, highly neceffary to a coquette, N. 45. The
behaviour

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