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Alazarine, (Cardinal) his behaviour to Quillet, who
had reflected upon him in a poem, N. 103
Merchants of great benefit to the public, N. 69.
Mixt wit defcribed, N.162.0

Mixt communion of men and spirits in Paradise, as
-odefcribed by Milton, N. 12.

Mode, on what it ought to be built, N. 6.

Modesty the chief ornament of the Fair Sex, N. 6.
Moliere made an old woinan judge of his plays,
N. 70.sdich

Monuments in Westminster- Abbey examined by the
Spectator, N. 26.

Mourning, the method of it confidered, N. 64.
Who the greatest mourners, ibid.

Mufic banifhed by Plato out of ltis commonwealth,
N. 18. Of a relative nature, 29.

TEighbourhoods, of whom confifting, N. 49.
Newberry, (Mr.) his Rebus, N. 59...

New River, a project of bringing it into the play-
houfe, N. 5.

Nicolini, (Seignior) his voyage on pasteboard, N.

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His combat with a lion, 13. Why thought to be
ma fham one,ibid. An excellent actor, ibid.

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Ates (Dr.) a favourite with fome party Ladies,
HN.7. IN belles of ca

Ogler, the complete ogler, N. 46. show
Old maids generally fuperftitious. N. 7.
Old Teftament in a periwig, N. 58.

Opera, as it is the prefent entertainment of the
English ftage, confidered, N. 5. The progrefs it
2 has made on our theatre, 18. Some account of
the French opera, 29.

Otway commended and cenfured, N. 39.
Querdo, a justice at Epping, offended at the com-
pany of foolers for playing the part of Clod-
pate, and making a mockery of one of the Que-
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Oxford fcholar, his great discovery, in a coffec-
house, N. 46. on ad id noqu bankofov Amul
vilion Prooed User do ani do

Painter and Taylor often contribute more than
the poet to the fuccefs of a tragedy, N. 42.
Parents, their taking a liking to a particular pro-
feffion often, occafions their fons to mifcarry,
N. 21. Rad Alb to masangitɔ hårbodigin
Parties crept much into the converfation of the La-
dies, N. 57. Party-zeal very bad for the face, ib.
Particles, English, the honour done to them in the
late operas, N. 18.

Paffions, the conqueft of them a difficult task,
N. 71.

Peace, fome ill confequences of it, N. 45. od bukk
Peepers defcribed, N. 53. bebes 1046ME
Pharamond, memoirs of his private life, N. 76. His
great wisdom, ibid, moly to beoghodi
Philautia, a great votary, N. 79.

Philofophy, the ufe of it, N. 7. faid to be brought
by Socrates down from heaven, 10.

Phyfician and Surgeon, their different employ-.
ement, N. 16. The Phyficians a formidable bo-
dy of men, 21. Compared to the British army in
Cæfar's time, ibid. Their way of converting one
distemper into another, 25.zars (0%
Picts, what women fo called, N. 41. No faith to
be kept with them, ibid. Any onepesca zdi, pis
Pinkethman to perfonate King Porus on an elephant,

N. 31.

Players in Drury-Lane, their intended regulations,
N. 36. Poems in picture, N. 58.00

Poet, (English) reproved, N. 39, 40. their artifices,


Poeteffes (Englifb) wherein remarkable, N. 51.
Powel (fenior) to act Alexander the Great on a
dromedary, N. 31. His artifice to raise a clap,
N. 40. 10

Powel (junior) his great skill in motions, N. 14.

His performance referred to the opera of Rinal-
do and Armida, ibid.

Praife, the love of it implanted in us, N. 38.
Pride a great enemy to a fine face, N. 33.
Profeffions, the three great ones over-burdened
with practitioners, N. 21.

Projector, a fhort defcription of one, N. 31.
Profper (Will) an honeft tale-bearer, N. 19.
Punchinello, frequented more than the church,
N. 14. Punch out in the moral part, ibid.
Punning much recommended by the practice of all
ages, N. 61. In what age the Pun chiefly flour-
ifhed, ibid. A famous univerfity much infefted
with it, ibid. Why banifhed at prefent out of
the learned world, ibid. The definition of a Pun,


Uality no exemption from reproof, N. 34.
Quixote (Don) patron of the Sighers club,
N. 30.


RAnts confidered as blemishes in our English tra-

gedies, N. 40.

Rape of Proferpine, a French opera, fome particu-
lars in it, N. 29.

Reason, inftead of governing paffion is often fub-
fervient to it, N. 6.

Rebus, a kind of falfe wit in vogue among the an-
cients, N. 59. and our own countrymen, ibid.
A Rebus at Blenheim-Houfe condemned, ibid.
Recitativo, (Italian) not agreeable to an English
audience, N. 29. Recitative mufic in every lan-
guage ought to be adapted to the accent of the
language, ibid.

Retirement, the pleasure of it, where truly enjoy.
ed, N. 4.

Rich (Mr.) would not fuffer the opera of Whitting-
ton's Cat to be performed in his houfe, and the
reafon for it, N. 5.




Royal Exchange, the great refort to it, N. 69.


Almon (Mrs.) her ingenuity, N. 28.
Sandtorius, his invention, N. 25.
Scholar's egg, what fo called, N. 58.

Sempronia, a profeffed admirer of the French na-
tion, N. 45.

Senfe: fome men of fenfe more defpicable than
common beggars, N. 6.

Sentry (Captain) a member of the Spectator's club,
his character, N. 2.

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Sextus Quintus, the Pope, an inftance of his un-
forgiving temper, N. 23.

Shadows and realities not mixed in the fame piece,
ies not mixed

N. 5.

Shovel, (Sir Cieudefly) the ill contrivance of his mo-
nument in Westminster-Abbey, N. 26.

Sidney (Sir Philip) his opinion of the fong of Chevy-
Chafe, N. 70.

Sighers, a club of them in Oxford, N. 30. Their
regulations, ibid.

Sign-pofts, the abfurdities.of many of them, N. 28.
Socrates, his temper and prudence, N. 23.

Solitude; an exemption from paffions, the only
pleafing folitude, N. 4.


Sophocles, his conduct in his tragedy of Electra,
N. 44.
Sparrows bought for the ufe of the opera, 5.
Spartan virtue acknowledged by the Athenians,
N. 6.
Spectator (the) his prefatory difcourfe, N. 1. His
great taciturnity, ibid. His vifion of Publick Cre-
dit, 3.
His entertainment at the table of an ac-
quaintance, 7. His recommendation of his fpe-
culations, 10. Advertifed in the Daily Courant,
12. His encounter with a lion behind the fcenes,
13. The defign of his writings, 16. No party-
man, ibid.
A little unhappy in the mold of his
face, 17. His artifice, 19. His defire to correct

impudence, 20. And refolution to march on in
the caufe of virtue, 34. His vifit to a travelled
Lady, 45. His fpeculations in the first princi-
ples, 46. An odd accident that befel him at
Lloyd's coffee-houfe, ibid. His advice to our Eng-
lif Pandaric writers, 58. His examen of Sir
Fopling Flutter, 65.

Spleen, a common excufe for dulness, N. 53.
Starers reproved, N. 20.1

Statira, in what propofed as a pattern to the Fair
Sex, N. 41.

Superftition, the folly of it defcribed, N. 7.

Sufanna, or innocence betrayed, to be exhibited by
Mr. Powell, with a new pair of elders, N. 14.


Emplar, one of the Spectator's club, his charac-
ter, N. 2.

That, his remonftrance, N. 86.

Theatre (English) the practice of it in several in-
ftances cenfured, N. 42, 44, 51.

Thunder, of great ufe on the stage, N. 44.
Thunderer to the playhouse, the great hardfhips
put upon him, and his defire to be made a can-
non, N. 36,

Tom Tits to perfonate finging birds in the opera, N. 5.
Tom the tyrant, firft minifter of the coffee-houfe,
between the hours of elven and twelve at night,

N. 49.

Tombs in Westminster vifited by the Spectator, N, 26.
his reflection upon it, ibid.

Trade, the benefit of it to Great Britain, N. 69.
Tragedy; a perfect Tragedy the nobleft production
of human nature, N. 39. Wherein the modera
tragedy excels that of Greece and Rome, ibid.
Blank verfe the most proper for an English tra-
gedy, ibid. 'Fhe English tragedy confidered, ibid.
Tragi-Comedy, the product of the English theatre,
a monstrous invention, N. 40.

Travel, highly neceffary to a coquette, N. 45. The


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