Liberation of the ActorTemple Lodge, 1992 - 148 strán (strany) The artist was once a messenger of the gods. Breathing in, the Greek actor was lifted into a realm of thought and inspiration. And breathing out, the will was strengthened. Can modern actors again become messengers through their own power of description and dramatization? Anyone with an interest in the spoken word, acting, or the future of the theater in general will welcome this book. The author goes beyond simple character study and interpretation to reexamine the forgotten esoteric aspects of acting. Based on Rudolf Steiner's ideas on speech and drama, Bridgmont provides a new basis for the true liberation of actors today. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 8.
Strana 27
... heaven and earth , so to speak . A situation comes to meet us , some kind of obstacle - the will of the runner has to adapt to what comes towards him . He adjusts his stepping and then pushes against the earth , as a personal decision ...
... heaven and earth , so to speak . A situation comes to meet us , some kind of obstacle - the will of the runner has to adapt to what comes towards him . He adjusts his stepping and then pushes against the earth , as a personal decision ...
Strana 68
... Heaven ; It hath the primal eldest curse upon't , A brother's murder ! Pray can I not , Though inclination be as ... heavens To wash it white as snow ? Whereto serves mercy But to confront the visage of offence ? And what's in prayer but ...
... Heaven ; It hath the primal eldest curse upon't , A brother's murder ! Pray can I not , Though inclination be as ... heavens To wash it white as snow ? Whereto serves mercy But to confront the visage of offence ? And what's in prayer but ...
Strana 92
... heaven be so envious ? NURSE . Romeo can , Though heaven cannot : O Romeo , Romeo ! Who ever would have thought it ? Romeo ! JULIET . What devil art thou , that dost torment me thus ? This torture should be roar'd in dismal hell . Hath ...
... heaven be so envious ? NURSE . Romeo can , Though heaven cannot : O Romeo , Romeo ! Who ever would have thought it ? Romeo ! JULIET . What devil art thou , that dost torment me thus ? This torture should be roar'd in dismal hell . Hath ...
Obsah
The Foundation | 12 |
Effective Speaking in the Theatre | 31 |
The Wind Machine | 49 |
Autorské práva | |
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acting action activity actor actresses ancient Greek antipathy appears artist attitude audience become begin behaviour breath bring centre character Clifford consonants create dactyl Dactylic Hexameter dance DAVID dead deed DESDEMONA discus Discus throwing drama duologue dynamic Eurythmy exercise experience expression familiar FATHER fear feeling forward GHOST give GLOUCESTER Greek gymnastic HAMLET hand hard palate Hecuba hexameter hold human imagination inner invisible gesture inwardly JULIET Konstantin Stanislavsky LADY listener live lyric MACBETH mime monophthong mood MOTHER mouth move movement nature OTHELLO perform physical play push release rhythm Romeo Rudolf Laban Rudolf Steiner scene sense silence situation soft palate sorry soul space speaking spear thrower speech spoken spondee stage stand STELLA stepping story-teller style syllable theatre thou thought throwing thrust stage tone Tybalt V V V V voice weight word wrestling