Liberation of the ActorTemple Lodge, 1992 - 148 strán (strany) The artist was once a messenger of the gods. Breathing in, the Greek actor was lifted into a realm of thought and inspiration. And breathing out, the will was strengthened. Can modern actors again become messengers through their own power of description and dramatization? Anyone with an interest in the spoken word, acting, or the future of the theater in general will welcome this book. The author goes beyond simple character study and interpretation to reexamine the forgotten esoteric aspects of acting. Based on Rudolf Steiner's ideas on speech and drama, Bridgmont provides a new basis for the true liberation of actors today. |
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Výsledky 1 - 3 z 10.
Strana 115
... lyric styles was the dramatic style , where at least two people took part , as in a conversation . So we had the epic reciter , the dramatic conversation , and the declaiming lyric speaker . Each performer or performers pos- sessed a ...
... lyric styles was the dramatic style , where at least two people took part , as in a conversation . So we had the epic reciter , the dramatic conversation , and the declaiming lyric speaker . Each performer or performers pos- sessed a ...
Strana 116
... lyric speaker , the singer , pouring out his heart to the listener , was not concerned with the past or with pictures but with his present state of mind and very much with his future . He sang out with a longing for the future , seeing ...
... lyric speaker , the singer , pouring out his heart to the listener , was not concerned with the past or with pictures but with his present state of mind and very much with his future . He sang out with a longing for the future , seeing ...
Strana 118
... Lyric : down - stage Oh , if only I could release the magic of those moments . Oh , such dreams , such memories . How can I ever express in tame words the conjured magic . Oh , what purpose can there be in witnessing magic worlds if my ...
... Lyric : down - stage Oh , if only I could release the magic of those moments . Oh , such dreams , such memories . How can I ever express in tame words the conjured magic . Oh , what purpose can there be in witnessing magic worlds if my ...
Obsah
The Foundation | 12 |
Effective Speaking in the Theatre | 31 |
The Wind Machine | 49 |
Autorské práva | |
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Časté výrazy a frázy
acting action activity actor appears approaching artist attitude audience aware become begin believe body breath bring carried CHAPTER character Clifford comes complete consonants create dance DAVID dead describe DESDEMONA develop drama dynamic effective energy epic exercise experience expression eyes familiar FATHER fear feeling Finally force forward gesture give HAMLET hand hear hold human idea imagination inner invisible leave listener live look lost lyric mean mime mood MOTHER mouth move movement nature object OTHELLO perform perhaps physical picture play position preparation Press push reach release remember scene sense silence situation soul sound space speaker speaking spear speech spoken stage stand stepping style theatre things thou thought throwing true turn voice vowel weight wish