The British Essayists: The SpectatorJ. Johnson, J. Nichols and Son, R. Baldwin, F. and C. Rivington, W. Otridge and Son, W. J. and J. Richardson, A. Strahan, J. Sewell, R. Faulder, G. and W. Nicol, T. Payne, G. and J. Robinson, W. Lowndes, G. Wilkie, J. Mathews, P. McQueen, Ogilvy and Son, J. Scatcherd, J. Walker, Vernor and Hood, R. Lea, Darton and Harvey, J. Nunn, Lackington and Company, D. Walker, Clarke and Son, G. Kearsley, C. Law, J. White, Longman and Rees, Cadell, Jun. and Davies, J. Barker, T. Kay, Wynne and Company, Pote and Company, Carpenter and Company, W. Miller, Murray and Highley, S. Bagster, T. Hurst, T. Boosey, R. Pheney, W. Baynes, J. Harding, R. H. Evans, J. Mawman; and W. Creech, Edinburgh, 1802 |
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Strana 195
tressed heroes , used to make the actors represent them in dresses and clothes
that were thread - bare and decayed . This artifice for moving pity , seems as ill
contrived as that we have been speaking of to inspire us with a great idea of the ...
tressed heroes , used to make the actors represent them in dresses and clothes
that were thread - bare and decayed . This artifice for moving pity , seems as ill
contrived as that we have been speaking of to inspire us with a great idea of the ...
Strana 195
tressed heroes , used to make the actors represent them in dresses and clothes
that were thread - bare and decayed . This artifice for moving pity , seems as ill
contrived as that we have been speaking of to inspire us with a great idea of the ...
tressed heroes , used to make the actors represent them in dresses and clothes
that were thread - bare and decayed . This artifice for moving pity , seems as ill
contrived as that we have been speaking of to inspire us with a great idea of the ...
Strana 195
tressed heroes , used to make the actors represent them in dresses and clothes
that were thread - bare and decayed . This artifice for moving pity , seems as ill
contrived as that we have been speaking of to inspire us with a great idea of the ...
tressed heroes , used to make the actors represent them in dresses and clothes
that were thread - bare and decayed . This artifice for moving pity , seems as ill
contrived as that we have been speaking of to inspire us with a great idea of the ...
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Obsah
Original Dedications | lxxv |
The Spectators Account of himself ADDISON | 1 |
Advantages of the Spectators Taciturnity | 4 |
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Časté výrazy a frázy
able acquaint ADDISON admiration affectation appear audience beauty body carried character club concerned consider conversation discourse dress English enter express eyes face fall figure frequently genius give half hand head hear heard heart hero honour hope humble humour keep kind king lady learned leave letter live look manner MARCH means meet mentioned merit mind nature never night observed occasion opera opinion particular pass passion person play pleased pleasure poet present proper raised reader reason received represent scenes seems seen sense servant shew short sometimes speak SPECTATOR stage talk tell thing thought tion told town tragedy turn verse whole woman women writers written young
Bibliografické informácie
| Názov | The British Essayists: The Spectator The British Essayists: With Prefaces, Historical and Biographical – Zväzok 6, Alexander Chalmers |
| Autor | Alexander Chalmers |
| Vydavateľ | J. Johnson, J. Nichols and Son, R. Baldwin, F. and C. Rivington, W. Otridge and Son, W. J. and J. Richardson, A. Strahan, J. Sewell, R. Faulder, G. and W. Nicol, T. Payne, G. and J. Robinson, W. Lowndes, G. Wilkie, J. Mathews, P. McQueen, Ogilvy and Son, J. Scatcherd, J. Walker, Vernor and Hood, R. Lea, Darton and Harvey, J. Nunn, Lackington and Company, D. Walker, Clarke and Son, G. Kearsley, C. Law, J. White, Longman and Rees, Cadell, Jun. and Davies, J. Barker, T. Kay, Wynne and Company, Pote and Company, Carpenter and Company, W. Miller, Murray and Highley, S. Bagster, T. Hurst, T. Boosey, R. Pheney, W. Baynes, J. Harding, R. H. Evans, J. Mawman; and W. Creech, Edinburgh, 1802 |
| Zdroj originálu: | Newyorská verejná knižnica |
| Digitalizované | 13. okt. 2005 |
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