The British Essayists: The SpectatorJ. Johnson, J. Nichols and Son, R. Baldwin, F. and C. Rivington, W. Otridge and Son, W. J. and J. Richardson, A. Strahan, J. Sewell, R. Faulder, G. and W. Nicol, T. Payne, G. and J. Robinson, W. Lowndes, G. Wilkie, J. Mathews, P. McQueen, Ogilvy and Son, J. Scatcherd, J. Walker, Vernor and Hood, R. Lea, Darton and Harvey, J. Nunn, Lackington and Company, D. Walker, Clarke and Son, G. Kearsley, C. Law, J. White, Longman and Rees, Cadell, Jun. and Davies, J. Barker, T. Kay, Wynne and Company, Pote and Company, Carpenter and Company, W. Miller, Murray and Highley, S. Bagster, T. Hurst, T. Boosey, R. Pheney, W. Baynes, J. Harding, R. H. Evans, J. Mawman; and W. Creech, Edinburgh, 1802 |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 79.
Strana xxxix
We cannot easily imagine that any woman would think herself superior to
ADDIson by a rank which in her was merely adventitious , for she was not of a
noble family , and of which she had lost all but the bare title ; and if we do form
this theory ...
We cannot easily imagine that any woman would think herself superior to
ADDIson by a rank which in her was merely adventitious , for she was not of a
noble family , and of which she had lost all but the bare title ; and if we do form
this theory ...
Strana 210
How prettily does she divide her discourse between her woman and her visitants
? What sprightly transitions does she make from an opera or a sermon , to an
ivory comb or a pin - cushion ? How have I been pleased to see her interrupted in
...
How prettily does she divide her discourse between her woman and her visitants
? What sprightly transitions does she make from an opera or a sermon , to an
ivory comb or a pin - cushion ? How have I been pleased to see her interrupted in
...
Strana 217
How prettily does she divide her discourse between her woman and her visitants
What sprightly transitions does she make from an opera or a serion , to an ivory
comb or a pin - cushion ? How have I been pleased to see her interrupted in an ...
How prettily does she divide her discourse between her woman and her visitants
What sprightly transitions does she make from an opera or a serion , to an ivory
comb or a pin - cushion ? How have I been pleased to see her interrupted in an ...
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Obsah
Original Dedications | lxxv |
The Spectators Account of himself ADDISON | 1 |
Advantages of the Spectators Taciturnity | 4 |
19 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
able acquaint ADDISON admiration affectation appear audience beauty body carried character club concerned consider conversation discourse dress English enter express eyes face fall figure frequently genius give half hand head hear heard heart hero honour hope humble humour keep kind king lady learned leave letter live look manner MARCH means meet mentioned merit mind nature never night observed occasion opera opinion particular pass passion person play pleased pleasure poet present proper raised reader reason received represent scenes seems seen sense servant shew short sometimes speak SPECTATOR stage talk tell thing thought tion told town tragedy turn verse whole woman women writers written young
Bibliografické informácie
| Názov | The British Essayists: The Spectator The British Essayists: With Prefaces, Historical and Biographical – Zväzok 6, Alexander Chalmers |
| Autor | Alexander Chalmers |
| Vydavateľ | J. Johnson, J. Nichols and Son, R. Baldwin, F. and C. Rivington, W. Otridge and Son, W. J. and J. Richardson, A. Strahan, J. Sewell, R. Faulder, G. and W. Nicol, T. Payne, G. and J. Robinson, W. Lowndes, G. Wilkie, J. Mathews, P. McQueen, Ogilvy and Son, J. Scatcherd, J. Walker, Vernor and Hood, R. Lea, Darton and Harvey, J. Nunn, Lackington and Company, D. Walker, Clarke and Son, G. Kearsley, C. Law, J. White, Longman and Rees, Cadell, Jun. and Davies, J. Barker, T. Kay, Wynne and Company, Pote and Company, Carpenter and Company, W. Miller, Murray and Highley, S. Bagster, T. Hurst, T. Boosey, R. Pheney, W. Baynes, J. Harding, R. H. Evans, J. Mawman; and W. Creech, Edinburgh, 1802 |
| Zdroj originálu: | Newyorská verejná knižnica |
| Digitalizované | 13. okt. 2005 |
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