A Course of Lectures on Dramatic Art and LiteratureHogan & Thompson, 1833 - 442 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 100.
Strana xi
... character of Sophocles . Character of his different tragedies . LECTURE V. 51 Euripides . His merits and defects . Decline of tragic poetry through him . Comparison between the Choephora of Eschylus , the Electra of Sophocles , and that ...
... character of Sophocles . Character of his different tragedies . LECTURE V. 51 Euripides . His merits and defects . Decline of tragic poetry through him . Comparison between the Choephora of Eschylus , the Electra of Sophocles , and that ...
Strana xii
... character of Corneille , Racine , and Voltaire . Review of their most important works . Thomas Corneille , and Cre- billon . French tragic theatre . 199 LECTURE XI . French comedy . Moliere . Criticism of his works . Scarron , Boursault ...
... character of Corneille , Racine , and Voltaire . Review of their most important works . Thomas Corneille , and Cre- billon . French tragic theatre . 199 LECTURE XI . French comedy . Moliere . Criticism of his works . Scarron , Boursault ...
Strana 8
... character of Europe , since the com- mencement of the middle ages , has been chiefly influenced by the Germanic race of northern conquerors , who infused new life and vigour into a degenerated people . The stern nature of the north ...
... character of Europe , since the com- mencement of the middle ages , has been chiefly influenced by the Germanic race of northern conquerors , who infused new life and vigour into a degenerated people . The stern nature of the north ...
Strana 9
... character of its songs must be melan- choly . Hence the poetry of the ancients was the poetry of en- joyment , and ours is that of desire : the former has its foundation in the scene which is present , while the latter hovers betwixt ...
... character of its songs must be melan- choly . Hence the poetry of the ancients was the poetry of en- joyment , and ours is that of desire : the former has its foundation in the scene which is present , while the latter hovers betwixt ...
Strana 14
... character- istics of assumed dignity in a father , a schoolmaster , or a king . The sole step which is requisite for the invention of a drama , namely , the separating and extracting the mimetic elements and fragments from social life ...
... character- istics of assumed dignity in a father , a schoolmaster , or a king . The sole step which is requisite for the invention of a drama , namely , the separating and extracting the mimetic elements and fragments from social life ...
Iné vydania - Zobraziť všetky
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Úplné zobrazenie - 1871 |
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Úplné zobrazenie - 1846 |
A Course of Lectures on Dramatic Art and Literature, Zväzok 1 August Wilhelm von Schlegel Úplné zobrazenie - 1840 |
Časté výrazy a frázy
acquainted action admiration Agamemnon allowed altogether ancient appears Aristophanes Aristotle beauty Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra comic writers composition considered Corneille cothurnus critics degree dignity display dramatic art dramatic poet effect Electra elevation endeavours English entertainment Eschylus Eumenides Euripides everything exhibited expression favour feeling foreign French tragedy give Grecian Greek tragedy Greeks Hence heroes heroic honour human idea imagination imitation intrigue invention Italian Julius Cæsar labour language Lope de Vega manner masks means Menander merely Metastasio mind modern Molière moral nature never noble object observe old comedy opera Orestes original passion peculiar persons pieces Plautus players plays poet poetical poetry possess principles produce Racine representation resemblance respect Roman scene Shakspeare Shakspeare's Sophocles Spanish Spanish poetry species spectators spirit stage taste theatre theatrical thing tion tone tragic true unity verse Voltaire whole
Populárne pasáže
Strana 343 - Piece out our imperfections with your thoughts ; Into a thousand parts divide one man, And make imaginary puissance ; Think, when we talk of horses, that you see them Printing their proud hoofs i...
Strana 186 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Strana 313 - Say, there be ; Yet nature is made better by no mean, But nature makes that mean ; so, o'er that art Which, you say, adds to nature, is an art That nature makes.
Strana 291 - This fellow is wise enough to play the fool; And to do that well craves a kind of wit. 60 He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye. This is a practice As full of labour as a wise man's art.
Strana 364 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him...
Strana 274 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide, Than public means, which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Strana 283 - North ; his human characters have not only such depth and precision that they cannot be arranged under classes, and are inexhaustible, even in conception: no, this Prometheus not merely forms men, he opens the gates of the magical world of spirits ; calls up the midnight ghost ; exhibits before us his witches amidst their unhallowed mysteries ; peoples the air with sportive fairies and sylphs : and these beings, existing only in imagination, possess...
Strana 313 - You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race: this is an art Which does mend nature, — change it rather; but The art itself is nature.
Strana 288 - ... we must see him in his relations with others; and it is here that most dramatic poets are deficient. Shakspeare makes each of his principal characters the glass in which the others are reflected, and in which we are enabled to discover what could not be immediately revealed to us.
Strana 284 - Shakespear deserves our admiration for his characters, he is equally deserving of it for his exhibition of passion, taking this word in its widest signification, as including every mental condition, every tone from indifference or familiar mirth to the wildest rage and despair. He gives us the history of minds ; he lays open to us, in a single word, a whole series of preceding conditions.