Characters of Shakespeare's PlaysWiley and Putnam, 1845 - 229 strán (strany) |
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Strana vii
... RICHARD II . 116 HENRY IV . IN TWO PARTS 123 HENRY V. 132 HENRY VI . IN THREE PARTS 140 RICHARD III . 148 HENRY VIII . 155 f KING JOHN 159 TWELFTH NIGHT ; OR , WHAT YOU WILL 164 THE TWO GENTLEMEN OF VERONA 171 THE MERCHANT OF VENICE 174 ...
... RICHARD II . 116 HENRY IV . IN TWO PARTS 123 HENRY V. 132 HENRY VI . IN THREE PARTS 140 RICHARD III . 148 HENRY VIII . 155 f KING JOHN 159 TWELFTH NIGHT ; OR , WHAT YOU WILL 164 THE TWO GENTLEMEN OF VERONA 171 THE MERCHANT OF VENICE 174 ...
Strana xii
... Richard III . , which is an exceedingly ingenious piece of analytical criti- cism . Richardson's Essays include but a few of Shak- speare's principal characters . The only work which seemed to supersede the necessity of an attempt like ...
... Richard III . , which is an exceedingly ingenious piece of analytical criti- cism . Richardson's Essays include but a few of Shak- speare's principal characters . The only work which seemed to supersede the necessity of an attempt like ...
Strana xvi
... Richard the Third . The constant reference to a petty and puny race must cripple the boldness of the poet . Fortunately for his art , Shakspeare lived in an age extremely suscepti- ble of noble and tender impressions , but which had ...
... Richard the Third . The constant reference to a petty and puny race must cripple the boldness of the poet . Fortunately for his art , Shakspeare lived in an age extremely suscepti- ble of noble and tender impressions , but which had ...
Strana 18
... Richard III . from Richard II . Shakspeare has with wonderful accuracy , and without the smallest appear- ance of effort , varied the portraits of imbecility and effeminacy in the two deposed monarchs . With still more powerful and ...
... Richard III . from Richard II . Shakspeare has with wonderful accuracy , and without the smallest appear- ance of effort , varied the portraits of imbecility and effeminacy in the two deposed monarchs . With still more powerful and ...
Strana 19
... Richard's cruelty , which resembles the cold malignity , the wan- ton malice , of a fiend rather than the frailty of human nature . Macbeth is goaded on to acts of violence and retaliation by ne- cessity ; to Richard , blood is a ...
... Richard's cruelty , which resembles the cold malignity , the wan- ton malice , of a fiend rather than the frailty of human nature . Macbeth is goaded on to acts of violence and retaliation by ne- cessity ; to Richard , blood is a ...
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admiration Æschylus affections Beaumont and Fletcher beauty Ben Jonson blood breath Cæsar Caliban character comedy Coriolanus critic D'Ol death delight Desdemona dost doth dramatic Duke effeminacy Endymion equal Eumenides eyes Falstaff fancy fear feeling fire fool fortune friends genius give grace hand hast hath hear heart heaven Henry honour human Iago imagination Jonson Julius Cæsar king kiss lady Lear learning live look lord Macbeth MALVOLIO manner MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion person pity play pleasure poet poetical poetry pride prince quincunxes racter rich Richard Richard III scene seems sense sentiment Shak Shakspeare Shakspeare's sleep soul speak speech spirit striking style sweet tell tender thee things thou art thought tion Titus Andronicus tragedy true truth unto wife words writers youth