Characters of Shakespeare's PlaysWiley and Putnam, 1845 - 229 strán (strany) |
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Strana xiii
... nature , on the other hand , he carries nature into the re- gions of fancy , lying beyond the confines of reality . We are lost in astonishment at seeing the extraordinary , the wonderful , and the unheard - of , in such PREFACE .
... nature , on the other hand , he carries nature into the re- gions of fancy , lying beyond the confines of reality . We are lost in astonishment at seeing the extraordinary , the wonderful , and the unheard - of , in such PREFACE .
Strana 11
... hand to tear aside the veil which hides the uncertainty of the future . He is not equal to the struggle with fate and conscience . He now " bends up each corporal in- strument to the terrible feat ; " at other times his heart misgives ...
... hand to tear aside the veil which hides the uncertainty of the future . He is not equal to the struggle with fate and conscience . He now " bends up each corporal in- strument to the terrible feat ; " at other times his heart misgives ...
Strana 14
... hand . In speaking of the character of Lady Macbeth , we ought not to pass over Mrs. Siddons's manner of acting that part . We can conceive of nothing grander . It was something above nature . It seemed almost as if a being of a ...
... hand . In speaking of the character of Lady Macbeth , we ought not to pass over Mrs. Siddons's manner of acting that part . We can conceive of nothing grander . It was something above nature . It seemed almost as if a being of a ...
Strana 15
... hand ; the transitions from triumph to despair , from the height of terror to the repose of death , are sudden and startling ; every passion brings in its fellow - contrary , and the thoughts pitch and jostle against each other as in ...
... hand ; the transitions from triumph to despair , from the height of terror to the repose of death , are sudden and startling ; every passion brings in its fellow - contrary , and the thoughts pitch and jostle against each other as in ...
Strana 18
... hands , and indeed in the hands of any other poet , would be merely repetitions of the same general idea , more or less exaggerated - are distinguished by traits as precise , though of course less violent , than those which separate ...
... hands , and indeed in the hands of any other poet , would be merely repetitions of the same general idea , more or less exaggerated - are distinguished by traits as precise , though of course less violent , than those which separate ...
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admiration affections Beaumont and Fletcher beauty Ben Jonson blood breath Cæsar Caliban character comedy Coriolanus critic CYMBELINE D'Ol death delight Desdemona dost doth dramatic Duke effeminacy Endymion equal Eumenides eyes Falstaff fancy fear feeling fire fool fortune friends genius give grace hand hast hath hear heart heaven Henry honour human Iago imagination Jeremy Taylor Jonson king kiss lady Lear learning live look lord Macbeth MALVOLIO manner MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion person pity play pleasure poet poetical poetry pride prince quincunxes racter rich Richard Richard III scene seems Sejanus sense sentiment Shak Shakspeare Shakspeare's sleep soul speak speech spirit striking style sweet tell tender thee things thou art thought tion Titus Andronicus tragedy true truth unto wife words writers youth