Characters of Shakespeare's PlaysWiley and Putnam, 1845 - 229 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 68.
Strana xv
... strike twice on the same place . An ancient rhetorician delivered a caution against dwelling too long on the excitation of pity ; for nothing , he said , dries so soon as tears ; and Shakspeare acted conformably to this ingenious maxim ...
... strike twice on the same place . An ancient rhetorician delivered a caution against dwelling too long on the excitation of pity ; for nothing , he said , dries so soon as tears ; and Shakspeare acted conformably to this ingenious maxim ...
Strana 1
... striking parts of the story are thrown into the form of a dialogue , and the intermediate circumstances are ex- plained by the different speakers , as occasion renders it neces- sary . The action is less concentrated in consequence ...
... striking parts of the story are thrown into the form of a dialogue , and the intermediate circumstances are ex- plained by the different speakers , as occasion renders it neces- sary . The action is less concentrated in consequence ...
Strana 2
... striking means . The pathos in CYMBELINE is not violent or tragical , but of the most pleasing and amiable kind . A certain tender gloom over- spreads the whole . Posthumus is the ostensible hero of the piece , but its greatest charm is ...
... striking means . The pathos in CYMBELINE is not violent or tragical , but of the most pleasing and amiable kind . A certain tender gloom over- spreads the whole . Posthumus is the ostensible hero of the piece , but its greatest charm is ...
Strana 6
... striking and powerful contrasts in which Shakspeare abounds could not escape observation ; but the use he makes of the principle of analogy to reconcile the greatest diversities of character , and to maintain a continuity of feeling ...
... striking and powerful contrasts in which Shakspeare abounds could not escape observation ; but the use he makes of the principle of analogy to reconcile the greatest diversities of character , and to maintain a continuity of feeling ...
Strana 11
... striking of any . The wildness of the scenery , the sudden shifting of the situa- tions and characters , the bustle , the expectations excited , are equally extraordinary . From the first entrance of the Witches and the description of ...
... striking of any . The wildness of the scenery , the sudden shifting of the situa- tions and characters , the bustle , the expectations excited , are equally extraordinary . From the first entrance of the Witches and the description of ...
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admiration Æschylus affections Beaumont and Fletcher beauty Ben Jonson blood breath Cæsar Caliban character comedy Coriolanus critic D'Ol death delight Desdemona dost doth dramatic Duke effeminacy Endymion equal Eumenides eyes Falstaff fancy fear feeling fire fool fortune friends genius give grace hand hast hath hear heart heaven Henry honour human Iago imagination Jonson Julius Cæsar king kiss lady Lear learning live look lord Macbeth MALVOLIO manner MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion person pity play pleasure poet poetical poetry pride prince quincunxes racter rich Richard Richard III scene seems sense sentiment Shak Shakspeare Shakspeare's sleep soul speak speech spirit striking style sweet tell tender thee things thou art thought tion Titus Andronicus tragedy true truth unto wife words writers youth