Characters of Shakespeare's PlaysWiley and Putnam, 1845 - 229 strán (strany) |
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Strana xvi
... tender impressions , but which had still enough of the firmness inherited from a vigorous olden time , not to shrink back with dismay from every strong and violent picture . We have lived to see tragedies of which the catastrophe ...
... tender impressions , but which had still enough of the firmness inherited from a vigorous olden time , not to shrink back with dismay from every strong and violent picture . We have lived to see tragedies of which the catastrophe ...
Strana xxii
... tender emotions by the fall of greatness , the danger of innocence , or the crosses of love . What he does best , he soon ceases to do . He no sooner begins to move than he counteracts himself ; and terror and pity , as they are rising ...
... tender emotions by the fall of greatness , the danger of innocence , or the crosses of love . What he does best , he soon ceases to do . He no sooner begins to move than he counteracts himself ; and terror and pity , as they are rising ...
Strana 2
... tender gloom over- spreads the whole . Posthumus is the ostensible hero of the piece , but its greatest charm is the character of Imogen . Posthumus is only interesting from the interest she takes in him , and she is only interesting ...
... tender gloom over- spreads the whole . Posthumus is the ostensible hero of the piece , but its greatest charm is the character of Imogen . Posthumus is only interesting from the interest she takes in him , and she is only interesting ...
Strana 3
... tender and the most artless . Her incredulity in the opening scene with Iachimo , as to her husband's infidelity , is much the same as Desdemona's backwardness to believe Othello's jealousy . Her answer to the most distressing part of ...
... tender and the most artless . Her incredulity in the opening scene with Iachimo , as to her husband's infidelity , is much the same as Desdemona's backwardness to believe Othello's jealousy . Her answer to the most distressing part of ...
Strana 30
... tender , and generous ; but his blood is of the most inflammable kind ; and being once roused by a sense of his wrongs , he is stopped by no considerations of remorse or pity till he has given a loose to all the dictates of his rage and ...
... tender , and generous ; but his blood is of the most inflammable kind ; and being once roused by a sense of his wrongs , he is stopped by no considerations of remorse or pity till he has given a loose to all the dictates of his rage and ...
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admiration Æschylus affections Beaumont and Fletcher beauty Ben Jonson blood breath Cæsar Caliban character comedy Coriolanus critic D'Ol death delight Desdemona dost doth dramatic Duke effeminacy Endymion equal Eumenides eyes Falstaff fancy fear feeling fire fool fortune friends genius give grace hand hast hath hear heart heaven Henry honour human Iago imagination Jonson Julius Cæsar king kiss lady Lear learning live look lord Macbeth MALVOLIO manner MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion person pity play pleasure poet poetical poetry pride prince quincunxes racter rich Richard Richard III scene seems sense sentiment Shak Shakspeare Shakspeare's sleep soul speak speech spirit striking style sweet tell tender thee things thou art thought tion Titus Andronicus tragedy true truth unto wife words writers youth