Characters of Shakespeare's PlaysWiley and Putnam, 1845 - 229 strán (strany) |
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Strana xvi
... tragedies of which the catastrophe consists in the swoon of an enamored prin- cess . If Shakspeare falls occasionally into the opposite extreme , it is a noble error , originating in the fulness of a gigantic strength : and yet this ...
... tragedies of which the catastrophe consists in the swoon of an enamored prin- cess . If Shakspeare falls occasionally into the opposite extreme , it is a noble error , originating in the fulness of a gigantic strength : and yet this ...
Strana xxii
... tragedy , for the greater part , by incident and action . His tragedy seems to be skill , his comedy to be instinct . " Yet after saying that " his tragedy was skill , " he affirms in the next page , " His declamations or set speeches ...
... tragedy , for the greater part , by incident and action . His tragedy seems to be skill , his comedy to be instinct . " Yet after saying that " his tragedy was skill , " he affirms in the next page , " His declamations or set speeches ...
Strana 3
... tragedy - queens . We have almost as great an affection for Imogen as she had for Posthumus ; and she deserves it better . Of all Shakespeare's women she is perhaps the most tender and the most artless . Her incredulity in the opening ...
... tragedy - queens . We have almost as great an affection for Imogen as she had for Posthumus ; and she deserves it better . Of all Shakespeare's women she is perhaps the most tender and the most artless . Her incredulity in the opening ...
Strana 10
... tragedies . Lear stands first for the profound intensity of the passion ; Macbeth for the wildness of the ... tragedy - maker . " His plays have the force of things upon the mind . What he represents is brought home to the ...
... tragedies . Lear stands first for the profound intensity of the passion ; Macbeth for the wildness of the ... tragedy - maker . " His plays have the force of things upon the mind . What he represents is brought home to the ...
Strana 11
... tragedy is alike distinguished for the lofty imagination it displays , and for the tumultuous vehemence of the action ; and the one is made the moving principle of the other . The over- whelming pressure of preternatural agency urges on ...
... tragedy is alike distinguished for the lofty imagination it displays , and for the tumultuous vehemence of the action ; and the one is made the moving principle of the other . The over- whelming pressure of preternatural agency urges on ...
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admiration Æschylus affections Beaumont and Fletcher beauty Ben Jonson blood breath Cæsar Caliban character comedy Coriolanus critic D'Ol death delight Desdemona dost doth dramatic Duke effeminacy Endymion equal Eumenides eyes Falstaff fancy fear feeling fire fool fortune friends genius give grace hand hast hath hear heart heaven Henry honour human Iago imagination Jonson Julius Cæsar king kiss lady Lear learning live look lord Macbeth MALVOLIO manner MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion person pity play pleasure poet poetical poetry pride prince quincunxes racter rich Richard Richard III scene seems sense sentiment Shak Shakspeare Shakspeare's sleep soul speak speech spirit striking style sweet tell tender thee things thou art thought tion Titus Andronicus tragedy true truth unto wife words writers youth