The TempestCambridge University Press, 16. 5. 2013 The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of The Tempest, David Lindley has thoroughly revised the Introduction to take account of the latest developments in criticism and performance. He has also added a completely new section on casting in recent productions of the play. The complex questions this new section raises about colonisation, racial and gender stereotypes and the nature of theatrical experience are explored throughout the introduction. Careful attention is paid to dramatic form, stagecraft, and the use of music and spectacle in The Tempest, a play that is widely regarded as one of Shakespeare's most elusive and suggestive. A revised and updated reading list completes the edition. |
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Strana
... Theatre, 1974 13 Felix Aylmer (Prospero), Birmingham Repertory Theatre, 1915 14 Jasper Britton (Caliban), Geraldine Alexander (Ariel), Shakespeare's Globe, 2000 15 Tony Haygarth (Caliban), Tim Piggott-Smith (Trinculo), National Theatre ...
... Theatre, 1974 13 Felix Aylmer (Prospero), Birmingham Repertory Theatre, 1915 14 Jasper Britton (Caliban), Geraldine Alexander (Ariel), Shakespeare's Globe, 2000 15 Tony Haygarth (Caliban), Tim Piggott-Smith (Trinculo), National Theatre ...
Strana
... Theatre Collection, the Theatre Museum in London (now the Theatre and Performance collection at the Victoria and Albert Museum); the archivists of the National Theatre in London, Shakespeare's Globe, and the Shared Experience Theatre ...
... Theatre Collection, the Theatre Museum in London (now the Theatre and Performance collection at the Victoria and Albert Museum); the archivists of the National Theatre in London, Shakespeare's Globe, and the Shared Experience Theatre ...
Strana
... Theatre, 1987 The Tempest in The Works of Shakespeare, ed. Lewis Theobald, 7 vols., 1733 William Thomas, The History of Italy, ed. George B. Parks, 1963 M. P. Tilley, A Dictionary of Proverbs in England in the Sixteenth and Seventeenth ...
... Theatre, 1987 The Tempest in The Works of Shakespeare, ed. Lewis Theobald, 7 vols., 1733 William Thomas, The History of Italy, ed. George B. Parks, 1963 M. P. Tilley, A Dictionary of Proverbs in England in the Sixteenth and Seventeenth ...
Strana
... theatres within their specific conventions of performance. Many of the characteristics of the play that have made its varied reception possible derive precisely from the interplay of these factors at the time of the play's composition ...
... theatres within their specific conventions of performance. Many of the characteristics of the play that have made its varied reception possible derive precisely from the interplay of these factors at the time of the play's composition ...
Strana
... theatre practitioners, directors and actors alike, the play has been used as a sign of an ending. Peter Brook, for example, considers that the play 'is [Shakespeare's] complete final statement'.8 Peter Cheeseman, the founder and ...
... theatre practitioners, directors and actors alike, the play has been used as a sign of an ending. Peter Brook, for example, considers that the play 'is [Shakespeare's] complete final statement'.8 Peter Cheeseman, the founder and ...
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