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METRES AND VERSES.

METRES.

I. Alcaic Metre or Strophe:-two Alcaic hendecasyllables, an Alcaic enneasyllable, and an Alcaic decasyllable. Odes 1, 3, 5, 7, 9, 11, 13, 14, 15, 17, 19,

20.

II. First Asclepiadean Strophe or Stanza :-three lesser Asclepiad verses followed by a Glyconic. Ode

12.

III. Sapphic Metre or Strophe:-three Sapphic hendecasyllables, and an Adonius. Odes 2, 4, 6, 8, 10, 16. IV. Trochaic Metre:-a Trochaic dimeter catalectic followed by an Iambic trimeter catalectic. Ode 18.

VERSES.

Verses are either simple or compound. A simple verse is one consisting of feet of the same kind or their legitimate representatives. A compound verse is one in which a verse of one kind is subjoined to a verse of a different kind, this latter being termed the "Base (Báois, in the meaning of "a foundation").

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A verse written in diodía (except the Anapæstic), or in feet of four syllables, and complete in itself, having nothing wanting and nothing over, is called acatalectic (ἀκαταληκτικός, not leaving off"). One that is short of a single syllable is termed catalectic (KaтaλNKTĭKós, "leaving off"); of two syllables, brachycatalectic (Bpaxvκαταληκτικός, leaving off short "); of three syllablesin other words having one syllable only beyond the preceding measure-hypercatalectic (Vπеρкатαληktĭkós,

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leaving off excessively ").

N.B. Casura (casura, "a cutting "; hence "a pause or division in a verse) is the interruption of the rhythm of a line by the end of a word occurring in the course of a foot, and is here marked by an asterisk (*). Incision (incisio, in the force of "division, a cutting asunder ") is the termination of a foot simultaneously with the close of a word, and is here indicated by two perpendicular lines . A Base is distinguished by the figure + being placed after its last syllable.

SIMPLE AND COMPOUND VERSES. vii

SIMPLE VERSES.

N.B. The last syllable of a verse is considered common, and hence is not marked in the following examples.

1. Adonius or Adonic Verse:-a dactylic dimeter, of which the first foot must be a dactyl, the other a spondee or trochee :

Splendeat ūsu.
Corpore | languor.

2. Alcaic enneasyllable (line of nine syllables) :—an Iambic trimeter hypercatalectic. Strictly, the first foot should be a spondee: cæsura occurs at the third half foot, and incision at the close of the third foot:

Cui laūrus* @ tērnōs || hõnōr|es.

There are occasional departures from this arrangement: e.g.

Res ōr dina ris grānd|ē mū|nus.
Ab insolenti tem\pěrā tam.

3. Trochaic dimeter catalectic (= four trochees less by one syllable):

Lärgtöra flagito.
Limites clienti um.

4. Iambic trimeter catalectic (= six iambi less by one syllable), with cæsura at the fifth half foot (penthemimeral casura) :-in the first and third feet a spondee may be used:

Měa | rěnid\ět* in | děmô | lăcūnar

Ignotus her es reglam occupavi.

A tribrach is also found as the representative of a short and long syllable:

Rēgum que pueris* nēc | sătell|ès Orc|i.

COMPOUND VERSES.

1. VERSE with a DACTYLIC BASE.

Alcaic decasyllable (line of ten syllables):-two dactyls as base, followed by two trochees (trochaic monometer): Supposi tōs ciner + |ī dŏl\ōso. Dalmatic o pěpěr + |īt triumpho.

2. VERSES with a SPONDAIC BASE.

a. Lesser Asclepiad Verse:-a spondee as base, followed by two choriambi and an iambus. Incision takes place

at the close of the first choriambus.

Cantus +mē võluit || dicěrě lucidum.
Fulgentes oculōs || ēt běně mūt|ŭis.

b. Glyconic Verse:—a spondee as base, followed by a choriambus and an iambus.

Āptă + |rī cithăræ | mŏdis.

Fulgens contrěmuit | domus.

3. VERSES with a TROCHAIC BASE.

Sapphic hendecasyllable (line of eleven syllables) :-a trochaic monometer, of which the second foot is always a spondee, as base; followed by a dactyl and two trochees. Cæsura properly takes place at the first syllable of the dactyl.

Nullus argent +ō* color | ēst ǎvāris

Abditō tērr +is* inĭm\īcě | lāmnæ.

The cæsura sometimes, yet rarely, occurs after the first short syllable of the dactyl.

Flūměn | et régn +làtă* pět làm Lặc ông.

4. VERSE with IAMBIC BASE.

Alcaic hendecasyllable (line of eleven syllables) :—an iambic dimeter hypercatalectic as base, followed by a choriambus and an iambus. Incision takes place at the end of the base,

Făm nunc | mināc + ī || mūrmůrě cōrn|ŭum.
Amic|ě Välg|i +|| stāt glăciēs | iners.

The base being iambic, an iambus might be expected to be at least frequent in the first foot. This, however, is rarely the case, the spondee being generally employed.

Q. HORATI

FLACCI

CARMINUM

LIBER SECUNDUS.

I.

MOTUM ex Metello consule civicum,
Bellique causas et vitia et modos,
Ludumque Fortunæ, gravesque
Principum amicitias, et arma

Nondum expiatis uncta cruoribus,
Periculosæ plenum opus aleæ,
Tractas, et incedis per ignes
Suppositos cineri doloso.

Paulum severæ Musa tragœdiæ
Desit theatris: mox, ubi publicas
Res ordinâris, grande munus
Cecropio repetes cothurno,

Insigne mæstis præsidium reis
Et consulenti Pollio curiæ,
Cui laurus æternos honores
Dalmatico peperit triumpho,

5

10

15

B

Jam nunc minaci murmure cornuum
Perstringis aures, jam litui strepunt,
Jam fulgor armorum fugaces

Terret equos equitumque vultūs.

Audire magnos jam videor duces
Non indecoro pulvere sordidos,
Et cuncta terrarum subacta

Præter atrocem animum Catonis.

Juno, et deorum quisquis amicior
Afris inulta cesserat impotens

Tellure, victorum nepotes

Rettulit inferias Jugurthæ.

Quis non Latino sanguine pinguior

Campus sepulcris impia prælia

Testatur, auditumque Medis

Hesperiæ sonitum ruinæ ?

Qui gurges, aut quæ flumina lugubris
Ignara belli? quod mare Dauniæ
Non decoloravere cædes?

Quæ caret ora cruore nostro ?

Sed ne, relictis, Musa procax, jocis,
Ceæ retractes munera neniæ :

Mecum Dionæo sub antro

Quære modos leviore plectro.

II.

NULLUS argento color est avaris
Abdito terris, inimice lamnæ,

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