His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 66.
Strana 60
... Elizabethan philosophy of history and by the Elizabethan concept of the historical period depicted in them . The modern view gives them a higher degree of organic unity than the old idea of their constituting an epic in which the ...
... Elizabethan philosophy of history and by the Elizabethan concept of the historical period depicted in them . The modern view gives them a higher degree of organic unity than the old idea of their constituting an epic in which the ...
Strana 251
... ELIZABETHAN COMPROMISE 1 " A TRAGIC WRITER , " says Joseph Wood Krutch , " does not have to believe in God , but he ... Elizabethan Compromise " is from Paul N. Siegel , Shakespearean Tragedy and the Elizabethan Compro- mise ( New York ...
... ELIZABETHAN COMPROMISE 1 " A TRAGIC WRITER , " says Joseph Wood Krutch , " does not have to believe in God , but he ... Elizabethan Compromise " is from Paul N. Siegel , Shakespearean Tragedy and the Elizabethan Compro- mise ( New York ...
Strana 290
... Elizabethan Malady ( 1951 ) , on the Elizabethan idea of the melancholiac and with those of Fredson Bowers , in Elizabethan Revenge Tragedy ( 1940 ) , on the Elizabethan attitude toward the malcontent revenger . THE EMBASSY OF DEATH ...
... Elizabethan Malady ( 1951 ) , on the Elizabethan idea of the melancholiac and with those of Fredson Bowers , in Elizabethan Revenge Tragedy ( 1940 ) , on the Elizabethan attitude toward the malcontent revenger . THE EMBASSY OF DEATH ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
23 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young