His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 41.
Strana 79
... Falstaff , reacting against both the sentimentalized interpretation of Falstaff by A. C. Bradley and the historical realist interpretation of E. E. Stoll , Wilson avowedly returns to Samuel John- son , who was conscious of the ...
... Falstaff , reacting against both the sentimentalized interpretation of Falstaff by A. C. Bradley and the historical realist interpretation of E. E. Stoll , Wilson avowedly returns to Samuel John- son , who was conscious of the ...
Strana 99
... Falstaff is a coward at all . They cannot square an exhibition of genuine cowardice with the impression , ' to use Morgann's words , ' which the whole character of Falstaff is calculated to make on the minds of an unprejudiced audience ...
... Falstaff is a coward at all . They cannot square an exhibition of genuine cowardice with the impression , ' to use Morgann's words , ' which the whole character of Falstaff is calculated to make on the minds of an unprejudiced audience ...
Strana 100
... Falstaff's precipitate exit on Gad's Hill . ' How the fat rogue roared ! ' he exclaims , as the Prince and he split their sides with laughter.40 Morgann , Bradley , and the rest cannot admit such conduct , be- cause it lowers Falstaff ...
... Falstaff's precipitate exit on Gad's Hill . ' How the fat rogue roared ! ' he exclaims , as the Prince and he split their sides with laughter.40 Morgann , Bradley , and the rest cannot admit such conduct , be- cause it lowers Falstaff ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young