His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 48.
Strana 62
... Henry IV , and Henry V. And there is a second isolated play , Henry VIII . Disregarding the two isolated plays , we can say further that the two tetralogies make a single unit . Throughout the Henry VI's and Richard III Shakespeare ...
... Henry IV , and Henry V. And there is a second isolated play , Henry VIII . Disregarding the two isolated plays , we can say further that the two tetralogies make a single unit . Throughout the Henry VI's and Richard III Shakespeare ...
Strana 64
... Henry IV , and Henry V , now lost but recast in the plays we have . Further , the Famous Victories of Henry V may well be an abridgement - a kind of dramatic Lamb's Tale - of Shakespeare's early plays on the reigns of Henry IV and Henry ...
... Henry IV , and Henry V , now lost but recast in the plays we have . Further , the Famous Victories of Henry V may well be an abridgement - a kind of dramatic Lamb's Tale - of Shakespeare's early plays on the reigns of Henry IV and Henry ...
Strana 77
... Henry's prayer before Agincourt in the last one , that God should not visit on him the death of Richard , looks right back . Thirdly , the Percies figure in Richard II in a way that suggests that they will figure even more prominently ...
... Henry's prayer before Agincourt in the last one , that God should not visit on him the death of Richard , looks right back . Thirdly , the Percies figure in Richard II in a way that suggests that they will figure even more prominently ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young